One of a few monumental 1950s swan songs marking the end of the great epoch of traditional studio filmmaking.
Touch of Evil (1958)
Tomatometer
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Reviews Counted:51
Fresh:48
Rotten:3
Average Rating:8.5/10
Consensus: Artistically innovative and emotionally gripping, Orson Welles’ classic noir is a visual treat, as well as a dark, sinister thriller.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: Orson Welles's TOUCH OF EVIL is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally--the marvelously expressive... Orson Welles's TOUCH OF EVIL is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally--the marvelously expressive opening shot ends with a car blowing up, and that detonation sets into motion a classic noir tale of betrayal and murder. In a complex exploration of character and morality, Welles plays the racist Captain Hank Quinlan, a grotesque, troubled, and powerful figure who runs his small U.S. border town according to his own version of the law. Quinlan's brutishness and vulgarity contrast starkly with the idealism and playboy good looks of Charlton Heston as Mike Vargas, a Mexican detective trying to put away the leader of a dangerous family of drug dealers--the Grandis. In the U.S. with his new bride, Susie (Janet Leigh), Vargas becomes consumed with exposing Quinlan and his highly questionable methods--too busy to see that his own beautiful blonde bride is in serious danger from both Quinlan and the Grandis. In 1998, Welles's film was restored closer to its creator's original vision, and it is a joy to behold. Every shot is impeccably crafted, every word of dialogue concise and pointed. The camerawork (by Russell Metty and John Russell) is stunning, particularly in the opening scene and the long single take in which Vargas believes he has caught Quinlan planting evidence. The supporting cast, led by Marlene Dietrich, Dennis Weaver, Akim Tamiroff, and Joseph Calleia, gives exhilarating performances. TOUCH OF EVIL, Welles's last studio film, is a near-perfect examination of the dark underbelly of society and the tragic downfall of a once proud man. [More]
Starring: Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia
Starring: Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor, Ray Collins
Director: Orson Welles, Harry Keller
Director: Orson Welles
Producer: Albert Zugsmith
Director: Harry Keller
Screenwriter: Orson Welles
Composer: Henry Mancini
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Reviews for Touch of Evil
The film has always been a favorite of those who enjoy visual and dramatic flamboyance.
It's a flurry of pressure-cooker baroque, an extreme example of the exhibitionistic hijinks in which Welles could sometimes indulge, apparently intensified here because he wasn't doing what he really wanted to be doing.
Whether TOUCH OF EVIL is a masterpiece as many have called it or just an intriguing, confusing and avant-garde B movie is the question.
But the multi-talented Welles himself is awe-inspiring as the gruff and overweight Quinlan, a morally bereft man who realizes that his time is finally up.
Welles has really created a wonderful little pot-boiler here, setting up atmosphere, deepening the characters, touching on themes, and, of course, doing some really nifty camerawork that's still astounding.
Touch of Evil (1958) is a great American film noir crime thriller, dark mystery, and cult classic - another technical masterpiece from
Orson Welles gives screenwriters an example to follow: write everything -- yes, everything -- down and leave it in a prominent place where someone will find it 20 years after your death when presumably your genius will finally be recognized.
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