Right after directing "The Philadelphia Story," George Cukor made the unfairly forgotten melodrama "A Woman's Face," starring Joan Crawford and a great supporting cast that included Melvyn Douglas and a demonic Conrad Veidt.
It's certainly not a great film. But like the vast majority of 1940s melodramas, it's been weirdly forgotten.
The first thing that hit me when it started was the unbelievably cheap sets. I don't know how Cukor tolerated cardboard sets. But I put that out of my mind and focused on the story, which was actually quite interesting.
A woman (Crawford) has a disfigured face resulting from a house fire that occurred when she was a child. The social and erotic ostracism she experienced because of the disfigurement has turned her soul black. She is just one step away from becoming a serial killer.
She meets her demonic equal (Veidt), and they team up to kill a five-year-old boy who stands in the way of Veidt inheriting a fortune. I kid you not; this story gets quite dark. There are other dimensions to the story that add some nice richness.
If not for the cheap sets and rancid B-movie music, "A Woman's Face" could have been a major film. The sequence where Crawford is on the verge of killing the child is unforgettable. Oh, and did I say the film is set in Sweden? Sweden, of all places. But all the dialogue is in English. Odd little movie.
(Just FYI -- Cukor doesn't have much name recognition these days, but he directed many famous movies, including 'My Fair Lady,' 'Adam's Rib,' 'Born Yesterday,' and the Judy Garland version of 'A Star is Born.')