Opening

43% Sin City: A Dame to Kill For Aug 22
42% If I Stay Aug 22
18% When The Game Stands Tall Aug 22
8% Are You Here Aug 22
96% Love Is Strange Aug 22

Top Box Office

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92% Guardians of the Galaxy $25.1M
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34% The Expendables 3 $15.9M
32% The Giver $12.3M
20% Into The Storm $7.9M
65% The Hundred-Foot Journey $7.2M
65% Lucy $5.5M
39% Step Up: All In $2.7M
61% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
86% The Congress Aug 29
67% Life Of Crime Aug 29

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New Episodes Tonight

—— Hell on Wheels: Season 4
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Discuss Last Night's Shows

33% BoJack Horseman: Season 1
—— Jonah From Tonga: Season 1
86% The Knick: Season 1

After Hours Reviews

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Felix Vasquez Jr.
Cinema Crazed

This is one of Scorsese's best, and one of my favorites of his.

Full Review Source: Cinema Crazed

February 6, 2014
Nick Davis
Nick's Flick Picks

[Scorsese's] tendency toward hollow showboating has rarely been more in evidence ... Ends as a tolerable but annoyingly atonal exercise made by artists with little if anything on their minds.

Full Review Source: Nick's Flick Picks | Original Score: C+

July 7, 2011
Richard Schickel
TIME Magazine
Top Critic IconTop Critic

The result is a delirious and challenging comedy, a postmodern Ulysses in Nighttown.

Full Review Source: TIME Magazine

January 25, 2010
Ian Nathan
Empire Magazine

Martin Scorsese's take on NYC puts a hip spin on Joe Minion's cleverly constructed nightmare.

Full Review Source: Empire Magazine | Original Score: 5/5

March 31, 2008

Film4

During the 80s there was a slew of yuppie revenge flicks where film-makers visited horrors on the heads of young urban professionals and this is probably the best of that mini-genre.

Full Review Source: Film4

March 31, 2008
Variety Staff
Variety
Top Critic IconTop Critic

Anxiety-ridden picture would have been pretty funny if it didn't play like a confirmation of everyone's worst fears about contemporary urban life.

Full Review Source: Variety

March 31, 2008
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

Scorsese's orchestration of thematic development, narrative structure, and visual style is stunning in its detail and fullness; this 1985 feature reestablished him as one of the very few contemporary masters of filmmaking.

Full Review Source: Chicago Reader

March 31, 2008
Geoff Andrew
Time Out
Top Critic IconTop Critic

Inventive film-making of the first order.

Full Review Source: Time Out

June 24, 2006
Emanuel Levy
EmanuelLevy.Com

A SoHo version of Ulysses? A male rendition of Alice in Wonderland? In Scorsese's noir comedy, a bored, repressed Everyman becomes an alien in his own town, subjected to one surreal nightmare after another, mostly by women.

Full Review Source: EmanuelLevy.Com | Original Score: A

May 30, 2006
Jeffrey M. Anderson
Combustible Celluloid

I love it for its unrelenting inventiveness, its constant motion and its curmudgeonly glass-half-empty outlook.

Full Review Source: Combustible Celluloid | Original Score: 4/4

September 20, 2004
Dennis Schwartz
Ozus' World Movie Reviews

Scorsese's directing is at its best.

Full Review Source: Ozus' World Movie Reviews | Original Score: A-

August 31, 2004
Vincent Canby
New York Times
Top Critic IconTop Critic

After Hours is not, ultimately, a satisfying film, but it's often vigorously unsettling. In this season of homogenized pap, that should be read as praise.

Full Review Source: New York Times | Original Score: 3/5

August 30, 2004
Frederic and Mary Ann Brussat
Spirituality and Practice

A Kafkaesque drama about paranoia and urban living.

Full Review Source: Spirituality and Practice | Original Score: 3/5

August 22, 2004
Eric Henderson
Slant Magazine

Scorsese's showmanship ends up enhancing the film's dreamlike, surrealist sense of encroaching hysteria.

Full Review Source: Slant Magazine | Original Score: 2.5/4

August 18, 2004
Brent Simon
Entertainment Today

Darkly comedic and delightfully manic, After Hours is a fresh, funny look at one man's downward mental and emotional slide into an evening of unmitigated SoHo hell.

Full Review Source: Entertainment Today | Original Score: A-

August 16, 2004
Sarah Chauncey
Reel.com

Quintessentially New York

| Original Score: 5/5

June 10, 2004
Jon Niccum
Lawrence Journal-World

Scorsese's masterpiece of uncomfortable cinema

| Original Score: 5/5

April 9, 2004
Victoria Alexander
FilmsInReview.com

Scorsese's mortgage payment was due.

| Original Score: 2/5

January 21, 2004
James Sanford
James Sanford on Film

a comedy that's both uproariously funny (often in a most uncomfortable way) and deeply disturbing at the same time.

Full Review Source: James Sanford on Film | Original Score: 4/4

July 31, 2003

TV Guide's Movie Guide

A wickedly funny black comedy.

Full Review Source: TV Guide's Movie Guide | Original Score: 4/4

July 30, 2003
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