Sorry, Wrong Number Reviews

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Jeffrey M. Anderson
Combustible Celluloid
October 10, 2008
Stanwyck was too strong to play this simpering role.
Top Critic
Bosley Crowther
New York Times
March 25, 2006
Perhaps if you have a special interest in foul folks and morbidities, you will thrill to this Hal Wallis picture. Frankly, we squirmed -- and not from dread.
Full Review | Original Score: 1.5/5
Top Critic
Dave Kehr
Chicago Reader
January 2, 2008
To make a movie of Lucille Fletcher's classic radio play was really to betray its best idea: that sound, not sight, is the truly paranoid sense.
Philip Martin
Arkansas Democrat-Gazette
October 30, 2002
| Original Score: 3/5
Christopher Null
Filmcritic.com
January 1, 2000
A precursor to the far better Rear Window, but noir has seen better days.
Full Review | Original Score: 3/5
Dennis Schwartz
Ozus' World Movie Reviews
January 1, 2000
The European émigré director, Anton Litvak, shoots Stanwyck's bedroom as if it were a luxury prison.
Full Review | Original Score: B
Laura Clifford
Reeling Reviews
October 4, 2002
| Original Score: 4/5
Rich Cline
Shadows on the Wall
September 30, 2005
dark and terrifying
| Original Score: 3/5
Carol Cling
Las Vegas Review-Journal
July 22, 2005
Vintage suspense with terrific Stanwyck, Lancaster
| Original Score: 4/5
Douglas Pratt
DVDLaser
November 6, 2004
The film’s basic premise is just too compelling to resist.
| Original Score: 4/5
Matt Bailey
Not Coming to a Theater Near You
July 22, 2003
A good script, but it should have been filmed with the woman who made it famous on the stage, Agnes Moorehead.
| Original Score: 3/5
Ken Hanke
Mountain Xpress (Asheville, NC)
December 11, 2002
Effective suspense film.
| Original Score: 4/5
Jamie Gillies
Apollo Guide
March 16, 2004
It is a carefully plotted film that leads to an extraordinary ironic climax.
Full Review | Original Score: 75/100
Marjorie Baumgarten
Austin Chronicle
March 10, 2003
[A] taut thriller.
James Sanford
Kalamazoo Gazette
October 7, 2004
A bit drawn-out, but a sensational vehicle for Stanwyck's talents
| Original Score: 4/5
Frank Swietek
One Guy's Opinion
October 12, 2004
| Original Score: 4/5
Emanuel Levy
EmanuelLevy.Com
November 4, 2007
Anatole Litvak's taut, gripping, highly stylized noir, based a 22 minute radio play with Agnes Moorehead, is one of the genre's very best, with a bed-ridden Stanwyck in a tour de force performance--a case study for lover of film noir.
Full Review | Original Score: B+
Top Critic
Ed Park
Village Voice
January 2, 2008
Number derives sleek hysteria from its audaciously constraining narrative strategy.

Film4
January 15, 2005
Fletcher adapted her celebrated 22-minute, single-character radio play into an almost equally tense screenplay, still retaining many of the eerie sound effects.
Top Critic

Time Out
June 24, 2006
Stanwyck's metamorphosis from indolence to hysteria is brilliantly executed.
Wendy Haslem
Senses of Cinema
May 20, 2006
Top Critic

Variety
June 24, 2008
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