Kuroi Ame (Black Rain) (1989) - Rotten Tomatoes

Kuroi Ame (Black Rain) (1989)

Kuroi Ame (Black Rain) (1989)

Kuroi Ame (Black Rain)




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Movie Info

The title refers to the radioactive fallout which descended upon ruined city of Hiroshima after the dropping of the first atomic bomb. Young bride-to-be Yoshiko Tanaka has the misfortune to be visiting Hiroshima on the day of the explosion. Incredibly, she is unhurt; she returns to her own village, across the bay from Hiroshima. Unfortunately, her townsmen have been profoundly affected by the "black rain"; over the next five years, the poison in their systems slowly but surely erodes their souls. In a tragic state of denial, Yoshiko's former friends insist that they can't be sick-it must be the girl who is bringing sickness to them. Now a pariah, Yoshiko's life is shattered as surely as if the bomb had disintegrated her upon impact. Director Shohei Imamaura, a onetime assistant to the great Ozu and the director of such Japanese classics as The Insect Woman and The Ballad of Narayama, never sensationalizes his material; the story is effective told in a muted, subdued fashion, allowing the horror to arise from the inner torment of the characters rather than being artificially imposed by camera trickery or "shock" cutting. Based on a novel by Masuji Ibuse, the black-and-white Black Rain won the Japanese equivalent of the Academy Award, along with several other honors. ~ Hal Erickson, Rovimore
Rating: Unrated
Genre: Drama, Horror, Art House & International
Directed By:
In Theaters:
On DVD: Nov 13, 1998
Angelika Films

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Critic Reviews for Kuroi Ame (Black Rain)

All Critics (20) | Top Critics (6)

[Shohei Imamura] shoots in beautifully textured black and white to tell the story of survivors of the Hiroshima atomic bomb who were contaminated by the fallout.

Full Review… | June 12, 2001
Chicago Sun-Times
Top Critic

Full Review… | October 18, 2008
Top Critic

Full Review… | June 3, 2008
Time Out
Top Critic

Full Review… | June 3, 2008
New York Times
Top Critic

Full Review… | June 12, 2001
Washington Post
Top Critic

Full Review… | June 12, 2001
Washington Post
Top Critic

Audience Reviews for Kuroi Ame (Black Rain)

In "Black Rain," Shigematsu(Kazuo Kitamura) is caught in the nuclear blast in Hiroshima just as he is boarding a train, along with his wife Shigeko(Etsuko Ichihara). They find their niece Yasuko(Yoshiko Tanaka) easily enough who was outside of the blast area but still caught in the fallout. Together, they start a horrific journey to the factory where Shigematsu works and now considers sanctuary.

Five years later, they are living in the countryside and Shigematsu and Shigeko turn their energies to try to get Yasuko, at the advanced age of 25, a husband but everybody is all too aware of her past, even with a clean bill of health. That's not to mention him starting to show symptoms.

The quietly moving and riveting "Black Rain" is a relatively restrained movie filmed in stark black and white from Shohei Imamura who shows little of his typical chaotic energy.(The exception is a subplot centered around Yuichi(Keisuke Ishida), a shell shocked former soldier, while another subplot goes nowhere.) There are few close-ups, as the movie keeps its emotional distance from the characters.

Since radiation sickness at this point is so new, there are no successfully proven treatments, leaving the victims to rely on either folk remedies(So, I guess they were not kidding about the cod blood.) or ritual which can either be of the religious variety or as mundane as listening to the news every night at the same time. Time is also of importance to these characters who might not have that much left but it also flows in different directions, which flashbacks to the fateful day attest to as much as Shigematsu's mother confusing Yasuko with her dead mother. History repeats itself as war is happening again in Korea, leading to a news report of Truman threatening to use nuclear weapons, reminding us that some people never learn history's lessons. At least one character does get it when he points out that 'an unjust peace is better than a just war.'

Walter M.

Super Reviewer

"Black Rain", not to be confused with the Michael Douglas/Jerry Garcia Yakuza crime thriller, is director Imamura Shohei's own scathing commentary on the treatment of those Japanese men and women affected by the bombings in Hiroshima and Nagasaki, by their own people. With images recounting the memories of that horrific day, I was reminded of no less of a movie than Steven Spielberg's "Schindler's List" and the atrocities depicted therein.

The story tells of a family which, in one scene, watches the explosion from afar. Effected by the nuclear fallout which occurs in the form of a black rain (hence the films title), the characters in the film begin to experience varying symptoms of radiation poisoning, ultimately leading to a painful and tragic death. Routine examinations are given in order to issue papers (almost dignity passports) to those who seem to have escaped any damning effects. Without these papers one may find it incredibly difficult to marry or find work outside of an "infected" community.

Shot in black and white, Imamura, in his old age, seems to channel his long dead mentor, the great Ozu Yasujiro, as the family which the film primarily deals with tells of an intensely personal struggle. Yet, as he did in the days of his youth, Imamura breaks free of the polite, restrictive emotions of Ozu and creates a grand indictment of the way in which Japanese government and society dealt with such a tend moment in their own history-- and as a deleted color ending of the film suggests, how they remained to hold on to such a view even the days of its release.

Black rain stirs around images in our collective imaginations as if they were somehow related to our own experiences of a nearly forgotten era. It is still hard to relate such destruction to our own past decisions in dealing with the war machine which presented such a threat to life and liberty in the dark days of the second world war. In the end, we all must live with ourselves and each other.

Amazing film. A very sobering look at the innocent civilian side of war. This one specifically being the aftermath of the bombs dropped on japan.

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