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Poison

Poison (1991)

tomatometer

75

Average Rating: 5.5/10
Critic Reviews: 8
Fresh: 6 | Rotten: 2

No consensus yet.

audience

63

liked it
Average Rating: 3.5/5
User Ratings: 1,775

My Rating

Movie Info

This film has become infamous thanks to the efforts of the Rev. Donald Wildmon, who publicly questioned the fact that NEA dollars were spent on this "filth." While Wildmon's point was certainly overstated, this debut feature from Todd Haynes is quite disturbing. The Poison in question is sex, and its toxic effects are explored in three segments which have been shuffled together like a deck of cards. "Hero" is a pseudo-documentary about a seven-year-old boy who shoots his father and then ascends

NC-17,

Drama, Horror, Art House & International

Jean Genet, Todd Haynes

Feb 15, 2000

Zeitgeist Films

Watch It Now

Cast

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All Critics (21) | Top Critics (8) | Fresh (16) | Rotten (5) | DVD (2)

I could have done without the designer prison, but most of the other stylistic conceits work.

November 9, 2010 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

Arguably the strongest American debut feature of the '90s.

November 9, 2010 Full Review Source: Village Voice
Village Voice
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Todd Haynes' Poison is a conceptually bold, stylistically audacious first feature, a compelling study of different forms of deviance.

March 26, 2009 Full Review Source: Variety
Variety
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Boldly self conscious, Poison switches channels among its three stylistically varied but thematically linked tales with cumulative, claustrophobic power.

March 31, 2008 Full Review Source: Newsweek
Newsweek
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Compelling and quirkily intelligent; Genet, one feels, would have been impressed.

February 9, 2006 Full Review Source: Time Out
Time Out
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The movie needs to evoke more than the ghost of Genet to give it resonance.

May 20, 2003 Full Review Source: New York Times
New York Times
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A stylish study of human deviance at its dirtiest.

November 9, 2010 Full Review Source: Film4
Film4

An exercise in cinema of ideas that, while audacious and occasionally compelling, is ultimately less than the sum of its parts.

November 9, 2010 Full Review Source: TV Guide's Movie Guide
TV Guide's Movie Guide

captures the spirit of Genet's work

February 16, 2010 Full Review Source: Old School Reviews

A very tough, queasy film, but extremely powerful and a strong feature debut for Haynes.

November 20, 2007 Full Review Source: Combustible Celluloid
Combustible Celluloid

Haynes' brilliant feature debut is a triptych of visually divergent episodes, each set in a wolrd dying of panicky fright. Of the three tales, my favorite is "Horror," a poignant parody of b/w movies shot in slightly exaggerated noir vein.

October 9, 2006 Full Review Source: EmanuelLevy.Com
EmanuelLevy.Com

Todd Haynes boldly announces himself as a force to be reckoned with.

May 22, 2004
Flipside Movie Emporium

A mysterious, funny, sexy, and scary triptych; each film works beautifully on its own, and even better in relation to the others.

August 17, 2003
Nick's Flick Picks

The overall effect shows a born director following his creative instincts fearlessly.

July 22, 2003 Full Review

Repellent in a way few films ever have been

February 2, 2003
Mountain Xpress (Asheville, NC)

The stories don't really work together, and Haynes attempts to compensate by intermingling them, trying to force viewers to see patterns.

February 28, 2002 Full Review Source: Goatdog's Movies

"The whole world is dying of panicky fright" are the words that open the movie. Poison makes the fear palpable.

January 1, 2000 Full Review Source: Austin Chronicle
Austin Chronicle

Audience Reviews for Poison

Three stories about a prison romance, a boy who flies away after killing his father, and a scientist who becomes a leprous sex monster are entwined.
I think I could find a way to link these three stories to sexuality, specifically gay sexuality, just as several other reviewers have done, but the acting and writing were so deplorable that it made it difficult to follow the film. I understand that "Horror," the B-movie storyline, was supposed to have bad acting, but there is no such excuse for the other two stories. The performances were so stilted and self-conscious, and it seemed like first-time director Todd Haynes didn't shoot enough takes.
Overall, I think there might be something interesting underneath the crappy acting, but I couldn't bring myself to see it clearly.
June 15, 2012
hunterjt13
Jim Hunter

Super Reviewer

A beautiful, deeply eerie, and disgusting film. This controversial NC-17 movie is a small masterpiece.

Story 1:
"Hero"

Tells the story of seven-year old Richie Beacon, who kills his brutally abusive father, and disappears in a mysterious way, according to his mother.

Hero is shot in a documentary style, with interviews from people's accounts on the story and re-enactments. This story was the creepiest to me, especially the shocking and most bizarre ending. Everything in this story felt very real, and it was always convincing.

What really happened to Richie Beacon? And most of all...who was he REALLY?
Chilling stuff!

Story 2:
"Horror"

Shot in black and white, and plays off like a 50's sc-fi movie. Horror tells the story of a scientist who isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer. This story was fu*king gross. Disgusting and nauseating. But it was great too! It's a love story entangled with sheer terror. Very fascinating...and icky at the same time!


Story 3:
"The Homo"

Revolves around lifelong prisoner John Broom's obsession with fellow inmate Jack Bolten. Told through Broom's thoughts, much of this story within a story is communicated through flashbacks and vignettes that develop the characters of the two men.

The Homo is a depressing and revolting story. Amazing character development and storytelling, but very difficult to stomach, especially the "spitting" scene. It's sad, bleak, and uncompromising. This one will leave a bad taste in your mouth.


All these stories are told throughout and are in no specific order, although each are linked thematically to make a whole. It's a shocking, and bizarre movie, but yet has lot's of meaning. Great performances and solid storytelling, and great script. A very disturbing movie, but I highly recommend it to people who are looking for something quite different.


"Todd Haynes's "Poison" is a vision of unrelenting, febrile darkness. It presents three disparate stories in three greatly varied styles, all inspired by the work of Jean Genet, and its effect, as a whole, is like that of an especially vile infection; it moves diabolically through your system, spreading fever and nausea as it goes."
- Washington Post

"Poison weaves a trio of disparate stories into a fragmentary, postmodern triptych, one held together (however vaguely)by lurid themes of sexuality, violence, and personal revolt. The movie wants to shock, and it does."
- EW

"Poison is a very tough, queasy film, but extremely powerful and a strong feature debut for Haynes."
- Celebrity Wonder

"Many films try to be subversive, try to undermine the status quo in ways large and small (and Haynes is still up to that, to a lesser extent), but few succeed, too often ending in broad strokes or empty campiness (John Waters' films). Poison works because it is unafraid of being shocking, but still has a point to get across, and handles the balance well."
- HDFest


"Poison is a disturbing film. It will make you uncomfortable, but it also will make you think."
- Filmreference

"Part horror film, part drama, part expose, Poison is 1991's most controversial film."
- Café DVD

"Poison is a wholly original, provocative, unsettling and intelligent film that is a must-see for adventurous videophiles."
- TLA Video
January 17, 2008
creepfreak
jd cryptic

Super Reviewer

    1. Fontenal Inmate: Someone's got Rass tied up by the balls.
    – Submitted by Oscar T (18 months ago)

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