This touching film shot in a semi-documentary style by Zinneman, will have even the most hardened viewers sobbing in the aisles.
The Search (1948)
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Reviews Counted:8
Fresh:8
Rotten:0
Average Rating:8.3/10
Synopsis: In Montgomery Clift's first released film, he plays Ralph Stevenson, an American G.I., on assignment in Germany directly after World War II. While driving in his jeep, he spots a displaced,... In Montgomery Clift's first released film, he plays Ralph Stevenson, an American G.I., on assignment in Germany directly after World War II. While driving in his jeep, he spots a displaced, starving youngster and entices him to his quarters with food. Stevenson and the boy, Karel, develop a close father-son bond. However, it is discovered that Karel's mother is still alive and looking for him amid the rubble of Europe. Just as Stevenson is getting the papers together to legally adopt Karel and take him back to America, mother and son find each other... [More]
Starring: Montgomery Clift, Ivan Jandl, Aline MacMahon, Jarmila Novotna
Starring: Montgomery Clift, Ivan Jandl, Aline MacMahon, Jarmila Novotna, E.G. Morrison, Mary Patton, Wendell Corey, William Penn Adair Rogers
Director: Fred Zinnemann
Director: Fred Zinnemann
Producer: Lazar Wechsler
Screenwriter: Richard Schweizer, David Wechsler, Paul Jarrico
Composer: Robert Blum
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Reviews for The Search
Zinnemann and Clift received Oscar nominations and Jandl won a special juvenile Oscar for his haunting portrayal of the tragic child.
A moving wartime drama about orphaned children that's directed in a simple semi-documentary style.
Featuring the striking debut of Montgomery Clift, The Search, a quasi-documentary story of a sympathetic American soldier who rescues a Czech boy-refugee in post WWII Germany, also established Fred Zinnemann's reputation as a an A director.
Both a well-modulated immersion in the experience of stunned and stranded children and a time-capsule of the scarred land and crumbled cityscapes of Germany after the war.
Although there's a slight suspicion that (as in Rossellini's work from this period) the plight of children is being used as a sort of emotional shorthand, the integrity and moving effect of this piece is never really in doubt.
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