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Pressure Point Reviews

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flixsterman
flixsterman

Super Reviewer

February 7, 2009
A 'stylized' presentation of racism that says a little more about the enormous talents of Sidney Poitier than it does about the ignorance of inequality and bigotry.

*NOTE: Bobby Darin shines in a very unsympathetic role.
cody f

Super Reviewer

September 8, 2008
Not a bad film but a little too melodramatic. What makes this film interesting is how disturbing and dark the flashbacks are. Poitier is good as always but a suprise performance from Bobby Darin.
February 27, 2011
I happened to catch this on tv late last night and it looked interesting. So I fought of sleep to stay up and watch it. Sidney Poitier movies of that time seemed to be a constant commentary on race relations and the US. Understandably so. The film shows the danger with the unholy alliance of racism and the sociopaths and the ultimate weakness of these dangers in the long run. They destroy themselves in their lies, but can still inflict damage by their sin to those around them. Poitier's character seems to want to honestly through his psychoanalysis help the character overcome his racism, but instead it just helps him eventually sleep at night. The fact that the films shows the weakness and inability many times to reform those who chose to hate is interesting as it is a movie born through the modern times where enlightenment and logic can bring about utopia. However, Poitier seems to show the realism that many times they are not reformed but seek to manipulate the system. The movie was also interesting in the use of creative flash backs and creepy jumps between the patient and his childhood. It did give an interesting flash back of how and why he is the way he is. Through the sin of his parents and hatred of others. Nevertheless, as Poitier's character points out...others have gone through worse and come out better. That his story is a context, but not an excuse. This film seems to be more realistic and right than many films today which promote victim-hood, political correctness, and either modernistic utopian dreams or post-modern empty cynicism.
March 9, 2010
Great film featuring Sidney Poitier and Bobby Darin. Great directing by Hubert Cornfield. Bobby Darin delivered a superb performance on par with Sidney Poitier.
Dave J
September 18, 2012
Tuesday, September 18, 2012

(1962) Pressure Point
PSYCOLOGICAL DRAMA

Taken from the story written by Robert M. Lindner but directed and co- written by Hubert Cornfield starring African American actor Sidney Poitier as head psychiatrist trying to convince a qualified psychiatrist collegue who happens to be white played by Peter Falk why he's the best candidate to be assigned to an African American patient who's racist against anyone who's white just because he was a victim of them in much of his life. It's situation is nothing more but a backdrop to the Sidney Poitier character telling his previous racial experience regarding one difficult racist character when he was working in a prison as a psychiatrist for the convicted and he's played by Bobby Darin.

What is interesting about this film is that althopugh a small film about racism, the characters names are never that important since all the characters involved all seem to know each other anyway and that the 'acting' by it's leads defines the film like a very interesting play with thought out dialogue.

3 out of 4
Viking E.
April 29, 2011
Anything that makes the sense of storytelling and concepts seem dated is completely, utterly saved by the tumultuous dynamic between Poitier and Darin's characters. Awesome performances by them both.
April 24, 2011
A movie that could only be accomplished by the infinite talent of two of the greatest actors of their time. Sidney Poitier and Bobby Darin give life to a simple script.
Monsieur Rick
January 23, 2011
Very powerful drama about the American Nazi movement and a psychiatrist (Sidney Poitier) that confronts it. A total flashback film, this one is high drama about hate.

Bobby Darin is huge and great in this mind killer drama. Great drama, fast paced, this shows that singer Bobby Darrin was more than a singer of hit song Mack the Knife. Bobby was as good an actor as ever lived, better than Sinatra.

Prisoner Bobby Darrin is arrested for advocating the overthrow of the U.S. government just before WWII. Sidney Poitier treats Darrin as a psychiatrist assigned to help Darrin recover from his Nazi tenedancies.


Unable to get through to a particularly hostile patient, psychiatrist Peter Falk goes to gray-haired senior shrink Sidney Poitier for advice. This prompts Poitier to recall his experiences during World War II. While working on behalf of the government, Poitier was assigned the case of psycho Nazi sympathizer Bobby Darin.

A complex flashback structure reveals the various influences that led to Darin's warped state of mind and to his life of crime. Poitier perceives that Darin is potentially dangerous, and insists that he needs further treatment. The government sees things differently, and allows Darin, who on the surface shows signs of recovery, to leave the hospital.

The horrible results of this decision serve to convince Poitier to follow his own gut feelings no matter what his fellow "experts" might advise, and to continue probing even the most recalcitrant or deceptively "cured" of patients.

Essentially a conformist psychological melodrama, Pressure Point truly comes to life whenever Bobby Darin is on the screen. His performance was outstanding, far better than his Oscar-nominated turn in 1963's Captain Newman.




Writers: Hubert Cornfield, Robert M. Lindner (story)

Stars:
Sidney Poitier,
Bobby Darin
Peter Falk


This is a tremendous drama about Nazi's in America during the great WWII and a prison inmate who refuses to see otherwise from his Nazi tendancies.

Director: Hubert Cornfield

Writers: Hubert Cornfield, Robert M. Lindner (story)

Stars:
Sidney Poitier, Bobby Darin and Peter Falk

Runtime: 91 min
Sound Mix: Mono
Color: Black and White
Virus
February 5, 2007
Bobby Darin can act and Poitier gives a good performance like always. Another film about racism with Poitier still makes great points.
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