Dino Risi's well-cast leads can't quite sell his heavy-handed irony as truths about masculine character.
| Original Score: 2.5/4
When I first saw it 25 years ago, I couldn't wait to see it again right away. I've been waiting ever since.
Yes, the frame is filled with the era's bikini-clad pulchritude, but the fuel here is primo neurosis.
| Original Score: 5/5
Risi proves to have a deft sense of managing the intertwined humor and drama of his incredibly complex characters
| Original Score: 4/4
It's a sunny, lazy day in early-1960s Rome - the city is "like a graveyard," with everyone away on holiday.
| Original Score: 3.5/4
Bruno and Il Sorpasso are full of wonderful surprises and hidden depths, and they continually slip away from any attempts to reduce them.
| Original Score: 4.5/5