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Pickpocket (1959)
Tomatometer
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Reviews Counted:18
Fresh:18
Rotten:0
Average Rating:9.3/10
Runtime: 75 mins
Genre: Foreign Films
Synopsis: Inspired by Fyodor Dostoyevsky's classic novel CRIME AND PUNISHMENT, Robert Bresson's PICKPOCKET tells the story of a man whose attraction to crime threatens to condemn him forever--spiritually as... Inspired by Fyodor Dostoyevsky's classic novel CRIME AND PUNISHMENT, Robert Bresson's PICKPOCKET tells the story of a man whose attraction to crime threatens to condemn him forever--spiritually as well as physically. Michel (Martin LaSalle), a young thief, is caught one afternoon, breaking his dying mother's heart and shocking his friends. Fortunately for Michel, the police inspector (Jean Pélégri) is unable to prosecute him, but the implications nonetheless sour Michel's once firm social standing. Trying to straighten his ways, Michel is again drawn to the criminal world, where under the tutelage of a master pickpocket he reverts back to thievery. All the while, his conscience nags at him, in the memory of his deceased mother as well as in the presence of Jeanne (Marika Green), a beautiful young woman who shows compassion toward the troubled Michel. Eventually, Michel's lucky streak ends, forcing him to find redemption in the most ironic of circumstances. Using his now-legendary simplistic storytelling style, Bresson is able to elevate his story to a supremely spiritual state, making for a stunningly powerful viewing experience. Delivering their lines slowly and somberly, the actors give the audience even more time for inner reflection, resulting in a cinematic masterwork. [More]
Starring: Martin LaSalle, Marika Green, Jean Pélégri, Pierre Leymaire
Starring: Martin LaSalle, Marika Green, Jean Pélégri, Pierre Leymaire
Director: Robert Bresson
Director: Robert Bresson
Screenwriter: Robert Bresson
Producer: Agnes Delahaye
Composer: J.B. Lulli
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Reviews for Pickpocket
... sempre fascinante constatar como Bresson, com seu estilo emocionalmente seco e direto e sua insistęncia em performances rígidas, consegue criar personagens tăo complexos e interessantes.
Bresson examines actions but offers little attention to motives, an approach that here seems to suggest that Michel's choices may be a mystery even to himself.
Inspired by Dostoevsky's seminal novel, Bresson's rigorous meditation on crime and redemption is a masterpiece, paying attention to the criminal and the society that created him without ever explaining either; it's only 75 minutes but every frame counts
Bresson's films are the most sublime expression of the powerful, illicit sexuality of the movement of moving pictures against a subjective audience.
I believe Bresson would approve of Criterion's efforts, as all possible interpretations of "Pickpocket" are spread throughout the very special features of this disc.
...the slow-burn of LaSalle's performance may be simplicity itself but it's hard to shake afterward.
Every image in Pickpocket evokes the director's idea of the soul in transition.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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