Werewolves '90s style, are the focus of this sophisticated, often funny, hair-raising horror flick. Jack Nicholson plays the werewolf. Will Randall, the chief editor of a publishing house, hasn't been feeling well since he accidently ran over a wolf while driving on a lonely Vermont road. When the good samaritan stopped to examine the wolf, it reawakened, savagely bit him and ran off into the forest. Will is stressed out as his company is being overtaken by the business magnate Raymond Alden. That the wolf bite on his hand is growing hair also causes concern. Soon he notices that his senses have become sharper, and that he feels younger, more vigorous. Using a keen sense of smell, he discovers his wife is having an affair. Will begins an affair of his own with Laura. As the relationship grows stronger so does the wolf inside of him. Will finds himself killing and eating deer. He then begins savagely slaughtering and eating other large animals. … More
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Critic Reviews for Wolf
If he'd followed through, Mike Nichols might have made a brilliant picture -- seems he just couldn't bear to look a gift wolf in the mouth.
Nichols has crafted a rapturous romantic thriller with a darkly comic subtext about what kills human values.
A sometimes shaky, always enchanting Beauty and the Beast story for grown-ups that is the very essence of smart fun -- droll, sophisticated and surprisingly, pleasingly light.
An effective attempt to place a werewolf story in an incongruous setting, with the closely observed details of that setting used to make the story seem more believable.
Monster movies are supposed to frighten the audience; this one fails utterly in that arena.
A fine little fable of business world mores that has the gross misfortune to turn into a horror film at a time when nobody quite knew what horror was.
A guaranteed good time for anyone looking for a different kind of horror film...
Mike Nichols' underrated 1994 hybrid not only of wolf and man, but also of satire and horror...an eccentric film that may well be regarded, decades hence, as a movie classic. [Blu-ray]
With the always edgy, slightly demonic, and predictably unpredictable Jack Nicholson as the wolf man, it actually works . . . almost.
Glossy werewolf horror/comedy that fails to make its mark on the genre.
Worth it to see Nicholson the wolf in fang-to-fang battle.
Director Mike Nichols emphasizes the film's Kafkaesque metamorphosis, a metaphor for the nightmarish experience of becoming different from most people and less valued; I won't be surprised if some viewers see it as allegory about AIDS.
Up until the rote ending, an elegant and witty take on the werewolf story.
On the surface a literate werewolf thriller, the subtext of Mike Nichols' Wolf is a sharp critique about what it takes to succeed in the cutthroat corporate world.
Plenty of Howl, Little Bite
Cerebral werewolf yarn that just doesn't work.
Never succeeds in recreating the classics.
'Jack Nicholson as a lycanthrope' is an interesting pitch, and it makes for a decent enough film.
Nicholson has rarely been better than here, walking the line between the refinement of society and the pleasures of things more elemental.
...had the script been any good, Nicholson would have been the perfect choice to play a "civilized" man wrestling with the beast within.
A different approach to the werewolf saga, aided by Nicholson's bizarre performance
Audience Reviews for Wolf
Jack Nicholson is totally commmited into his role and is probably the best part of this horror flick. Well it wasn't scary at all so I wouldn't actually call it horror. I enjoyed the premise of Wolf more than the actual film. It's got decent direction and a few laughs but it was aggresively unamibitious in it's execution. It could have been better but I enjoyed Nicholson and the attempt at something better than a production line werewolf movie. It's very cheesy and it isn't good but then again it isn't bad either.
Mike Nichols directs this update of the wolfman myth with Jack Nicholson as the victim/monster. Here its played interestingly as sort of a desirable thing, a fountain of youth, an answer to societal submissiveness. Michelle Pfieffer adds spice as the woman drawn into it.More
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