Opening

42% Sin City: A Dame to Kill For Aug 22
50% If I Stay Aug 22
—— When The Game Stands Tall Aug 22
7% Are You Here Aug 22
97% Love Is Strange Aug 22

Top Box Office

21% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
14% Let's Be Cops $17.8M
35% The Expendables 3 $15.9M
31% The Giver $12.3M
21% Into The Storm $7.9M
66% The Hundred-Foot Journey $7.2M
64% Lucy $5.5M
41% Step Up: All In $2.7M
62% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
85% The Congress Aug 29
—— The Calling Aug 29

New Episodes Tonight

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
57% Legends: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
43% Young & Hungry: Season 1

Discuss Last Night's Shows

—— Covert Affairs: Season 5
88% Finding Carter: Season 1
67% Matador: Season 1
—— Perception: Season 3
—— Pretty Little Liars: Season 5
—— Rizzoli & Isles: Season 5
—— Royal Pains: Season 5
—— Sullivan & Son: Season 3
57% Tyrant: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
83% Extant: Season 1
88% The Honorable Woman: Season 1
86% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Three Colors: Red (Trois couleurs: Rouge) Reviews

Jonathan Rosenbaum
Chicago Reader
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The third and best feature of Krzysztof Kieslowski's highly ambitious Three Colors trilogy.

Full Review Source: Chicago Reader

August 8, 2012
Lisa Nesselson
Variety
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Another deft, deeply affecting variation on Krzysztof Kieslowski's recurring theme that people are interconnected in ways they can barely fathom.

Full Review Source: Variety

January 22, 2008
Geoff Andrew
Time Out
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Stunningly beautiful, powerfully scored and immaculately performed, the film is virtually flawless, and one of the very greatest cinematic achievements of the last few decades. A masterpiece.

Full Review Source: Time Out

February 9, 2006
Janet Maslin
New York Times
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Red succeeds so stirringly that it also bestows some much-needed magic upon its predecessors.

| Original Score: 5/5

May 20, 2003
Jonathan Kiefer
Salon.com
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Undaunted by the tremendous emotional and moral valence he has by now invited us to expect, Kieslowski controls the film magnificently, putting to use the shapely formal precision he took an entire career to work out.

Full Review Source: Salon.com

June 12, 2002
Richard Corliss
TIME Magazine
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Visually and emotionally, this is the director's warmest film.

January 1, 2000
John Hartl
Film.com
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What makes Red watchable is Kieslowski's arresting visual sense.

January 1, 2000
Hal Hinson
Washington Post
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Red is not a movie by a filmmaker who has run out of ideas, but one by an artist at the height of his powers.

Full Review Source: Washington Post

January 1, 2000
Desson Thomson
Washington Post
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In this final installment of a glorious trilogy ... [Kieslowski] has saved his greatest for last.

Full Review Source: Washington Post

January 1, 2000
Edward Guthmann
San Francisco Chronicle
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Jacob is so good in the role, so effective at suggesting a mingling of innocence and intuition, that it's easy to imagine why Red was written with her in mind.

Full Review Source: San Francisco Chronicle

January 1, 2000
Roger Ebert
Chicago Sun-Times
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This is the kind of film that makes you feel intensely alive while you're watching it.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
James Berardinelli
ReelViews
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A subtle masterpiece.

Full Review Source: ReelViews | Original Score: 4/4

January 1, 2000
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