Kicking and Screaming (1995)
Inspired by the advent of Seattle's grunge music sound and popular films such as Slacker (1991) and Singles (1992), the Generation X comedy-drama was born. Typified by characters in their early twenties sharing an abundance of education, a lack of career direction, stunted romantic aspirations and an obsession with popular culture, one of the better examples of the genre was Kicking and Screaming. Josh Hamilton stars as Grover, a recent college graduate and aspiring writer depressed over the departure of his girlfriend Jane (Olivia d'Abo) for a fellowship in Prague. Josh's best friends are in a similar predicament. Skippy (Jason Wiles) is a classic slacker couch potato still attending classes despite having graduated, while the philosophical Max (Chris Eigeman) and Otis (Carlos Jacott), a mechanical engineer, both remain unemployed. Tenth-year student Chet (Eric Stoltz), who works at a local bar and has still not finished his education, serves as a cautionary tale for the four unmotivated pals. Kicking and Screaming was the debut of writer and director Noah Baumbach and the first of several cinematic collaborations between him and actors Eigeman and Stoltz. … More
as Grover's Dad
as Friederich's Date
as Nose Ring Girl
as Singing Freshman No....
as Singing Freshman No....
as Random Freshman
as Stunt Knight No. 1
as Stunt Knight No. 2
as Bar Teacher
as Ticket Woman
as Door Person
as Girl at Bark
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Critic Reviews for Kicking and Screaming
For a debut, Noah Baumbach's Kicking and Screaming is an impressive effort, but it lacks the resonance or flexibility of his The Squid and the Whale, released ten years later.
Mixing the neurotic drive of Woody Allen with the urbane wit of Stillman, this derivative debut presents yet another take on guys who simply can't let go of college--and their adolescence.
Charts the aimlessness and ennui of four insufferable, maturation-adverse college grads with relaxed realism.
Not much happens, but it captures that moment between college and the real world with perceptive [occasionally glib] accuracy.
Sporadically funny film with an achingly predictable plot - your enjoyment of this will hinge on whether or not you think Will Ferrell is a Comedy God.
One of the better navel-gazing comedies of this period
Smart and well-performed - captures a time and a feeling with grace and intelligence.
First-time writer and director Noah Baumbach, 25, has a knack for acute observation and a spirited cast to animate every twisted nuance.
Baumbach ... pushes his rigorous stance to the extent that you begin to wonder why you're bothering to watch the aimless lives of these four unfold.
Baumbach fails to realize that too often movies about boring people are, well, boring.
Loses its initial kick and verve and settles down into one long whine.
Although Baumbach's film showed a lot of potential, too much was unrealized for me to be able to recommend it.
Baumbach makes an assured writing/directing debut, but this will probably do best in the video marketplace.
In general, Baumbach's eye for generational detail is impeccable -- he knows what's on these kids' minds, and has found a language to express it.
Kicking And Screaming's familiarity breeds a caustic but definitive contentment that comes with uncloaking the popular twentysomething trend toward guy-bright-but-lite.
Stands out amongst the 'twentysomething and fresh out of college' crop of films.
Writer-director Noel Baumbach establishes an ear for commentary during his wry-guy movie's opening graduation party.
Audience Reviews for Kicking and Screaming
A very opinionated by empty and aimless bore concerning recent college graduates struggling to find their place in the world, and how their lives change over the course of a few months. Noah Baumbach, one of the kings of awkward/anti-social world, has put together a below average "comedy" that is not very funny, with characters that are not very likable, and with a plot that has no problem being about nothing. Unlike "The Squid and the Whale" which had a pretty good sense of humor despite taking itself a little too seriously, the biggest thing with this film is that it is just flat-out not funny or meaningful. I could not care less about the selfish, quirky for quirks sake characters that spouted dialogue that seemed from another planet, and as a result this movie lost me quickly. It is not terrible, it just is not very good.More
The very underrated hilarious debut from Noah Baumkbach has perhaps the most qoutable lines of any movie I've seen and features great performances from Christopher Eigeman, Carlos Jacott and a supporting role from Elliot Gould.More
For what's it worth, I truly believe in Gen X comedy-dramas. Even if you didn't fully enjoy this period in history, the quirky characters and realistic underlying problems of these films' central protagonists are shockingly familiar. Whether Eliot's "The Love Song of J. Alfred Prufrock" or James Joyce's "The Dead" every art form has beleaguered to show us that our futures, more likely our destinies, are under our own control and not that of extenuating circumstances. We all fear failure in the future, but Baumbach also delves into the psyches of several different archetypes, including: the infinite student, wanting to learn but lacking direction, the genius who works blue collar because he fears success, and the slacker who still slacks though staying in school so he doesn't have to face life. This film is one big denial trip down a memory lane no one wants to know or live through. Each of the main character's relationships are these hypereducated rants to one another over who can be more of a hipster chic intellectual, who can obsess over the idiosyncrasies and affectations of an entire generation of hypochondriacs and windbags, quite frankly. The film makes fun of itself often, and points out the flaws of the college elite, when the entire culmination of our hard earned education is wasted on people who lack direction, who serve themselves with things, and people, and ideas they don't need, lying about without hope or purpose. Some may not revel in the true entertainment of eccentricities, but the droll humor and actual message are worth the short watch.More
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