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Heat (1995)



Average Rating: 7.7/10
Reviews Counted: 59
Fresh: 51 | Rotten: 8

Though Al Pacino and Robert De Niro share but a handful of screen minutes together, Heat is an engrossing crime drama that draws compelling performances from its stars -- and confirms Michael Mann's mastery of the genre.


Average Rating: 7.1/10
Critic Reviews: 17
Fresh: 14 | Rotten: 3

Though Al Pacino and Robert De Niro share but a handful of screen minutes together, Heat is an engrossing crime drama that draws compelling performances from its stars -- and confirms Michael Mann's mastery of the genre.



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Average Rating: 3.9/5
User Ratings: 217,005

My Rating

Movie Info

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a


Mystery & Suspense, Action & Adventure

Jul 27, 1999

Warner Bros.

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All Critics (59) | Top Critics (17) | Fresh (51) | Rotten (8) | DVD (40)

Heat occupies an exalted position among the countless contemporary crime films.

October 16, 2008 Full Review Source: Variety
Top Critic IconTop Critic

Robert De Niro's last great role before he devoted himself to self-parody.

August 14, 2007 | Comments (3)
Rolling Stone
Top Critic IconTop Critic

This is simply the best American crime movie -- and indeed, one of the finest movies, period -- in over a decade.

February 9, 2006 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

As Heat progresses, its sensational looks pale beside storytelling weaknesses that expose the more soulless aspects of this cat-and-mouse crime tale.

May 20, 2003 Full Review Source: New York Times | Comments (22)
New York Times
Top Critic IconTop Critic

Michael Mann and a superlative cast have taken a classic heist movie rife with familiar genre elements and turned it into a sleek, accomplished piece of work, meticulously controlled and completely involving.

February 13, 2001 Full Review Source: Los Angeles Times
Los Angeles Times
Top Critic IconTop Critic

Heat generates lots of energy but gives off little light.

January 1, 2000
Top Critic IconTop Critic

The conversation in Heat is one of the most perfectly executed and eloquently intertextual moments in the history of American Cinema.

January 2, 2013 Full Review Source: 2UE That Movie Show
2UE That Movie Show

A stealth epic, framing an urban jungle and making its own kind of contemporary history by pairing acting giants Robert DeNiro and Al Pacino in what has arguably become the preminent cops-and-robbers movie. [Blu-ray]

February 16, 2010 Full Review Source: Groucho Reviews | Comments (9)
Groucho Reviews

Quite rightly, this confirmed Mann as one of Hollywood's smartest, most stylish and emotionally articulate directors.

November 27, 2009 Full Review Source: Film4 | Comments (4)

I have always wondered if Pacino and De Niro flipped a coin before the movie began shooting to see which of them would play which part?

October 30, 2009 Full Review Source: Movie Metropolis
Movie Metropolis

A slow-moving, overburdened, well-meant and at times quite entertaining slog.

June 19, 2009 Full Review Source: Antagony & Ecstasy
Antagony & Ecstasy

The director's signature sleek and romantic aesthetic is reason enough to take a seat for this operatic three-hour marathon.

April 28, 2009 Full Review Source: | Comment (1)

Fascinante por se concentrar em dois homens que, obcecados por suas profissões, acabam dependendo um do outro justamente por não saberem fazer outra coisa.

August 16, 2008 Full Review Source: Cinema em Cena
Cinema em Cena

I admire Mann's emotional commitment and his sense of style, but it also grates on me.

December 1, 2007 Full Review Source:

With De Niro and Pacino in excellent form, Mann's Heat ignites the screen.

January 23, 2006
Fantastica Daily

De Niro delivers a frightening vision of frosty criminal efficiency.

May 4, 2005 Full Review Source: Lessons of Darkness
Lessons of Darkness

It is a remarkably powerful, entertaining and invigorating piece of cinema that hits on more levels than seemingly possible.

April 23, 2005 Full Review Source: Cinematic Reflections | Comments (4)

Heat Heat has an intoxicating, seductive look and feel, and if viewers can check their brains at the door, it succeeds on a surface level.

March 21, 2005 Full Review Source: Combustible Celluloid | Comment (1)
Combustible Celluloid of the greatest crime films of all time.

February 23, 2005 Full Review Source: Film Threat | Comments (5)
Film Threat

Echoes the tradition of American individualists.

February 21, 2005 Full Review Source: Slant Magazine
Slant Magazine

An insightful dramatic look at the relationship between cops, criminals, and the women in their lives.

December 5, 2004 Full Review Source:

Riveting cops-and-robbers tale.

April 24, 2004 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

The action, just like in any great film, is subservient to plot and characters.

January 5, 2004 Full Review

Audience Reviews for Heat

An obsessive robbery homicide detective is locked in a battle of wits with an ingenious crew of professional criminals looking to score a multi-million dollar bank heist under his very nose. When you see a cast list like this one you know you're in for something special, but Heat is not just special; it's an absolute masterclass. It's a fairly common formula in this day and age, showing cop and criminal as two sides of the same coin, but the way Mann effortlessly flits between both sets of superbly realised characters has never been bettered and paved the way for the modern cop drama including everything from Infernal Affairs to The Dark Knight. The performances are all, of course, top notch and every aspect of the film that surrounds them is faultlessly engineered to create a near perfect heist movie. The bank shoot out that turns the streets of L.A. into a war zone is astonishing in itself and candidate for best action sequence ever filmed. The soundtrack has maybe dated a little in places and some of the domestic drama a little heavy handed compared to the levels of sophistication shown in telling the life stories of these men born of violence, but it is all interwoven into something that exceeds the sum of its parts. A modern classic.
November 26, 2013
xGary Xx

Super Reviewer

This is basically Michael Mann's magnum opus.

It's a more fleshed out and richer version of his TV production L.A. Takedown concerning two groups of people and their leaders: one being super slick professional thieves, and the other being highly determined and driven police officers. It takes the standard good versus evil story, ramps it up to the max, and throws in tons and tons of character development, atmosphere, and some of the most well done, realistic, and accurate gun play in motion picture history. This is all very rich, complex, and very compelling. It's a film both for those who like to think, and those who love a solid crime drama.

It also has the great selling point of being the first film to feature De Niro Pacino sharing screentime together. Granted, this selling point is dated, but compared to Righteous Kill (which has them on screen together longer), this one really gets it right and doesn't overdo the joy of seeing them face off.

The cast are firing on all cylinders here, making their characters, good or bad, interesting, sympathetic, and worth watching. Honestly, I'm really torn between which group I'd rather root for more, which I think is a great sign of brilliant work. Nothing is totally black and white, and each side has their pros and cons. Mann has encyclopedic knowledge of crime, criminals, cops, and police procedure, and it shows. There's a high level of attention to detail, and it really makes one appreciate the time and care that went into all this.

But of course, at nearly three hours, and with a fairly leisurely pace, this could prove to be too slow and boring for some. Honestly, I'm really not bothered by it, Sure, my patience sometimes begins to waver during the third act, but I have seen this several times, so maybe it's just a personal issue, and a bit of burn out.

Mann's trademark mood and atmosphere building tools are pitch perfect here, with some of the best and most expressive lighting and camera placement ever seen in a crime drama, or other type of film for that matter. And of course, one of the other main selling points: the superb action scenes. Granted, the movie isn't wall to wall action, but that's not the point. In fact, a lot of the film is made up of lengthy, quiet scenes with tons of yakking, and even more scenes with no talking, just letting the mood wash over the viewer and draw them into this hypnotic world. However, when this film delivers the action goods, it really delivers them, with the gunfights being intense, wild, loud, and they're supposed to be.

Just see this film already. There's only so many ways I can think of to call this brilliant before it becomes redundant.
October 2, 2013
Chris Weber

Super Reviewer

An intense and very complex character study with Pacino and De Niro delivering two explosive performances as men so alike but on opposite sides of the same battle. Still, the film has too many characters and scenes that make it feel much longer than it should be.
August 27, 2013

Super Reviewer

In what is arguably one of the finest heist movies in history, "Heat" pits two acting heavy-weights in Robert De Niro and Al Pacino against one another. One is a professional thief, so well seasoned that he has avoided the law for as long as he can probably remember. The other is a troubled homicide detective whose third marriage is fizzling out due to his over-riding commitment to his job. Each character ultimately finds he has more in common with his adversary than with his peers. Both are flawed, tired and run-down middle-aged men who, in the immortal words of Roger Murtaugh (see: "Lethal Weapon") are "getting too old for this ...."

"Heat" is hardly your average cops and robbers tale. It's long, it's sweeping and is steeped in character moments and conversations. While much of the hype about the film has always revolved around its finale - the bank robbery - it's the small moments that make the film. Take for instance a scene in the middle of the film where Pacino, too tired and beat down to do anything else, tracks down his suspect (De Niro) and invites him for a cup of coffee where the two talk shop and in spite of mutual respect for one another, both vow not to back down. This moment serves to build the tension that is the big pay-off in the film. You get to know and feel for these very real and very flawed characters, so that when the heat is on, so to speak, you don't know who to cheer for anymore.

Undeniably, Robert De Niro and Al Pacino are the stars of the film and are a large part of its greatness, but it is also Michael Mann's ("Collateral," "Manhunter") unique eye and story-telling sense that defines the film as well. Despite his insuppressible style, the film still retains a gritty, realistic air that is best evidenced in a shootout that takes place in the Los Angeles streets. Without a doubt, this is the director's masterpiece and definitely one of the best of its kind. It's a true epic that is filed to the brim with intense acting (nobody's forgotten about you either, Val) and complicated characters as intricate as the job they are trying to do. For all intents and purposes, "Heat" lives up to its name. 5 stars 5-24-13
May 23, 2013
Bruce Bruce

Super Reviewer

    1. Vincent Hanna: I say what I mean and I do what I say.
    – Submitted by oliver a (8 months ago)
    1. Neil McCauley: Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner.
    – Submitted by oliver a (8 months ago)
    1. Neil McCauley: I told you I never going back.
    2. Vincent Hanna: Because she has a great ass and you got your head all the up it.
    3. Neil McCauley: There is a flip side to that coin. What if you do got me boxed in and I gotta put you down? Cause no matter what, you will not get in my way. We've been face to face, yeah. But I will not hesitate. Not for a second.
    4. Neil McCauley: A guy told me one time, "Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner."
    – Submitted by David B (13 months ago)
    1. Neil McCauley: I am never going back.
    2. Vincent Hanna: Then don't take down scores.
    3. Neil McCauley: I do what I do best: I take scores. You do what you do best: Try to stop guys like me.
    – Submitted by The Vinh H (14 months ago)
    1. Vincent Hanna: Something about a woman's ass...
    – Submitted by Jesse K (18 months ago)
    1. Neil McCauley: What am I doing? I'm talking to a blank telephone, cause there is a dead man on the other end of this fucking line...
    – Submitted by Chris C (22 months ago)
View all quotes (19)

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Foreign Titles

  • Heat (1995) (CA)
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