The Addiction (1995)
Average Rating: 6.3/10
Reviews Counted: 26
Fresh: 19 | Rotten: 7
Abel Ferrara's 1995 horror/suspense experiment blends urban vampire adventure with philosophical analysis to create a smart, idiosyncratic, and undeniably odd take on the genre.
Average Rating: 6.4/10
Critic Reviews: 6
Fresh: 5 | Rotten: 1
Abel Ferrara's 1995 horror/suspense experiment blends urban vampire adventure with philosophical analysis to create a smart, idiosyncratic, and undeniably odd take on the genre.
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Average Rating: 3.5/5
User Ratings: 3,234
My Rating
Movie Info
Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral "Art" film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten by an aggressive female vampire (Annabella Sciorra) and soon spirals into a nightmarish world of blood addiction and existential angst. Driven by her merciless condition, she attacks several of her pretentious friends and classmates (even her professor) and mainlines their blood like heroin. Just as she becomes more
Oct 4, 1995 Wide
Apr 28, 1998
Cast
-
Lili Taylor
Kathleen Conklin -
Christopher Walken
Peina -
Annabella Sciorra
Casanova -
Edie Falco
Jean -
Paul Calderon
The Professor -
Fredro Starr
Black -
Frank Aquilino
Delivery Man -
Kathryn Erbe
Anthropology Student -
Michael Imperioli
Missionary -
Chuck Jeffreys
Bartender -
Leroy Johnson
Homeless Victim -
Kevin Scullin
Featured Victim -
Nicholas de Cegli
Cabby -
Jamel "Redrum" Simmons
Black's Friend -
Susan Mitchell
Featured Victim -
Jay Julien
Dean -
Eddie Conna
Waiter -
Fred Williams
Homeless Victim -
Heather Bracken
nurse -
Michael Fella
Cop -
Robert W. Castle
Priest/Narrator -
Nancy Ellen Anzalone
Dress Victim -
Christian Campanella
Featured Victim -
Lisa Casillo
Mary -
Avron Coleman
Cellist -
Anthony Giangrando
Featured Victim -
Mary Ann Hannon
Featured Victim -
Dr. Louis A. Katz
Doctor -
John Vincent McEvily
Featured Victim -
Bianca Pratt
Featured Victim
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All Critics (26) | Top Critics (6) | Fresh (19) | Rotten (7)
No matter, without exactly transcending the awful material, Ferrara puts it across with astonishing poetry and conviction.
Scary, funny, magnificently risible, this could be the most pretentious B-movie ever -- and I mean that as a compliment.
Top CriticLove him or hate him, Mr. Ferrara is one of the few directors who can turn genre movies into something deeper.
Abel Ferrara, working from a rabidly ambitious script by Nicholas St. John, gives the genre a provocative and perversely funny snap that Anne Rice might envy.
Unfortunately, it's so dark -- and impenetrable -- that it shuts us out.
Macabre and provocative, yet wonderfully restrained.
One of Ferrara's most idiosyncratic yet popular slices of misanthropy.
It's got a remarkable visual texture, integrity to burn, and almost -- but not quite -- enough intelligence to justify its lofty ambitions.
What we get is a slight, but entertaining movie, that's (dare I say it?) unintentionally funny at times.
Reflecting Ferrara's obsession with guilt and redemption, the film acknowledges the capacity for evil, urging viewers to take responsibility for their actions, or else there won't be a way to arrest evil's diffusion from one generation to the next.
The allegory wears thin fast, and we're just left with artifice.
Given all the talent involved, this should have been much more compelling.
Christopher Walken, who always looks like one of the living dead, proves that he hasn't exhausted his capacity to make your skin crawl.
Ferrara's film both impresses and terrifies sufficiently for most of its duration.
Captain! The Pretense-O-Meter's gone off the scale!
A strange and diverting take on the old vampire tale.
Audience Reviews for The Addiction
Super Reviewer
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- Kathleen Conklin: Our addiction is evil. The propensity for this evil lies in our weakness before it.
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- Peina: The entire world's a graveyard. And we, the birds of prey, picking at the bones.
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- Peina: You learn to control it. You learn, like the Tibetans , to survive on a little.
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- Kathleen Conklin: You know, this obtuseness, it's disheartening, especially in a doctoral candidate.
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- Kathleen Conklin: Dependency is a marvelous thing. It does more for the soul than any formulation of doctoral material.
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- Kathleen Conklin: There is no history. Everything we are is eternally with us. Our question, therefore, is what can save us from our crazy insistence on spreading the blight in ever widening circles?
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Latest News on The Addiction
October 3, 2008:
Further Reading: Marion Cotillard and Forest Whittaker in Abel Ferrara's MaryAs the NFT in London prepares a Juliette Binoche season, Kim looks at Abel Ferrara's Mary which also...
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