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Ansikte mot Ansikte (Face to Face)

Ansikte mot Ansikte (Face to Face) (1976)

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Average Rating: N/A
Critic Reviews: 4
Fresh: 2 | Rotten: 2

audience

81

liked it
Average Rating: 4/5
User Ratings: 676

My Rating

Movie Info

Liv Ullmann plays Dr. Jenny Isakson, a psychiatrist who is taking a vacation while her husband Dr. Erik Isakson (Sven Lindberg) is elsewhere. Haunted by visions of an old woman, Jenny suffers from profound, inexplicable depression. Desperately in search of a escape from her doldrums, she has an affair with married doctor Tomas Jacobi (Erland Josephson). This only serves to spark an attack of hysteria for Jenny. Again visited by hallucinations of the old woman, she attempts suicide. While

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All Critics (10) | Top Critics (4) | Fresh (8) | Rotten (2) | DVD (2)

Mr. Bergman is more mysterious, more haunting, more contradictory than ever, though the style of the film has never been more precise, clear, levelheaded.

July 31, 2007 Full Review Source: New York Times
New York Times
Top Critic IconTop Critic

This is a strange, stormy period for Ingmar Bergman.

July 31, 2007 Full Review Source: TIME Magazine
TIME Magazine
Top Critic IconTop Critic

Ingmar Bergman at his most painful, pretentious, and empty.

July 30, 2007 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

Bergman has put in the Freudian asides and fireworks for his own reasons but great director that he is, he hasn't in the process stood between Liv Ullmann and the camera.

August 29, 2006 Full Review Source: Chicago Sun-Times
Chicago Sun-Times
Top Critic IconTop Critic

Suffocating psychodrama.

January 27, 2013 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

This dramatically intense drama about depression and nervous breakdown garnered director Ingmar Bergman and actress Liv Ullmann well-deserved Oscar nominations.

August 7, 2012 Full Review Source: EmanuelLevy.Com
EmanuelLevy.Com

Bergman stays close on [Ullmann's] face for long portions of this 136-minute movie, and she finds its key: she never acts crazy.

September 16, 2011 Full Review Source: Combustible Celluloid
Combustible Celluloid

Cries out for Madeline Kahn to step in, cigarette in hand, and inquire, "Phallic-un zymbol?"

April 19, 2008 Full Review Source: House Next Door
House Next Door

An extremely intense experience from start to finish, due in large part to Ullmann's performance as she powerfully expresses a range of emotions seldom seen in American films.

August 29, 2006 Full Review Source: TV Guide's Movie Guide
TV Guide's Movie Guide

An Ingmar Bergman film with Liv Ulmann in a tour de force performance of a woman whose breakdown brings her a close encounter with her inner anguish

January 18, 2004 Full Review Source: Spirituality and Practice
Spirituality and Practice

Audience Reviews for Ansikte mot Ansikte (Face to Face)

The Greeks were the first to understand it: the best dramatic performances are given by women because they have a way of letting out every emotion with the most compelling force. Bergman also understood this and I think his best movies are those that star women in tense dramatic situations: Persona, Cries and Whispers, Passion of Annam Through a Glass Darkly and Face to Face. The long and fruitful collaboration between Bergman and Liv Ulman is one of the greatest director-actor in movie history comparable with Fellini-Massina, Scorsese-De Niro and Welles-himself. Unlike other collaborations Bergman used Ulman in a variety of roles, always changing something substantial, never letting the viewer down. I knew Bergman can reach high intensity but I never guessed that he can go so far as he goes here. The story of a psychiatrist that thinks she has everything sorted out in her life but finds out that she has it worse than her patients really left me speechless. Bergman explored madness before in Hour of the Wolf; in that movie as in this one the viewer is confronted with the decision of what is real and what is in the imagination of the character making the cinematic journey thrilling and surprising
December 13, 2009
matertenebraum

Super Reviewer

"Face to Face" falls short of the best Ingmar Bergman films, despite a harrowing, virtuosic performance from Liv Ullman.

The plot is minimal, and has the unfortunate air of Bergman just laboring to contrive new ways to make a character miserable (this is not the first time I've had this reaction). Ullman is Jenny, a physician with a shaky background. Her mother was emotionally distant, and discouraged shows of affection. Both parents later died in a car crash. Her grandmother was domineering and abusive, and her grandfather is now entering a painful state of elderly helplessness. Her job is stressful, and involves dealing with mentally unstable patients.

Jenny is married and has a daughter, but has affairs and has alienated her child. Her husband Erik routinely spends time away from home on business. It's an environment where people pretend nothing is wrong, but privately know better.

This is a depressing situation, but the details don't seem extreme enough to motivate the dramatic breakdown which Jenny suffers. Instead, the scenario just seems like an excuse for Ullman to flash her formidable acting chops (particularly dazzling during a vivid scene where her character deliriously reenacts past arguments with her grandmother).

Initially haunted by visions of a grim crone with an eerie black eyeball, Jenny eventually turns suicidal, incapacitated and hysterical. She has spent years as a successful doctor, but now suddenly collapses. There is a specific trigger but, again, this incident doesn't seem quite traumatic enough to derail such an accomplished woman.

Originally made for television, "Face to Face" has some bold nightmare sequences (a burning coffin here, a mutilated face there), but the cinematography is rather ordinary by Sven Nykvist's usual high standards. And the score is practically non-existent -- the opening credits are backed with the sound of lapping water, and music is almost absent except for one onscreen classical performance and a few slammed piano notes. Still, the main flaw is more fundamental: Unlike with most Bergman scripts, there is room for only one great role.

(Note: I hear there is a 136-minute cut of this film, but I am reviewing the 114-minute version.)
June 6, 2010
Eric Broome

Super Reviewer

Great acting!
August 11, 2011
George Matalliotakis

Super Reviewer

This is something on the big screen.
June 27, 2008
threefolddado

Super Reviewer

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Foreign Titles

  • Face to Face (Ansikte mot ansikte) (DE)
  • Face to Face (Ansikte mot ansikte) (UK)
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