Sleepers Reviews
Super Reviewer
Growing up in Hell's Kitchen, four close friends, Shakes (Joe Perinno), Michael (Brad Renfro), John (Geoffrey Wigdor) and Tommy (Jonathan Tucker) fill their days playing pranks and making their own entertainment. However, one of their pranks lead to a man getting seriously injured and they are sentenced to time in the Wilkenson Detention Centre in upstate New York. In the centre they are subjected to beatings and sexual abuse by the guards. Over ten years later, two of the boys take revenge on one of them (Kevin Bacon), which drags up the past and involves everyone they know.
What we have with "Sleepers" is a stellar cast, a more than capable director and a story that's purportedly based on fact. There's really not that far you can wrong in these instances but, unfortunately, it's the "based on fact" angle that let's this film down. Everything else is handled with skill, but no matter how well it's delivered, it leaves an aroma that smells vaguely of garbage. It's too far fetched and under closer scrutiny and investigation, the events that writer Lorenzo Carcaterra claims to be true, are unfounded. There simply isn't any evidence of them. Now, if this film just played out as a piece of storytelling then that issue wouldn't exist and you'd be able to sit back and enjoy what this film has to offer. And what it has to offer is plentiful. The cinematography by (Scorsese regular) Michael Ballhaus, captures the look and feel for the times that reflect, in some ways, an urban version of "Stand By Me" in the earlier part of the film and Levinson does a very professional job on his direction duties. Where his strength lies is in drawing out brilliant performances from his impressively assembled cast: Throughout an abundance of familiar names, it's Patric (playing writer, Carcaterra) that get's the most focus but the rest still get enough to work with; Bacon verges on the stereotypical side but still channels an effective sadistic presence; Pitt, in a lesser role (when he was still on the rise) captures the cocksure arrogance required and the always reliable and masterful Hoffman brings a lot of depth and humour with his subtle mannerisms. At the risk of sounding biased, though, it's DeNiro that impresses most as the avuncular priest, Father Bobby. He delivers one of the most endearing and charismatic performances of his career and happens to have a moment in the film where his expression is solely focussed on, as he hears about the tragic and abusive events that took place. He doesn't utter a word, but his pain, anguish and compassion is expressed entirely and powerfully within his eyes. The only drawback amongst the performances is that the greats of DeNiro and Hoffman don't get a chance to share much screen time together. (In fairness, Levinson rectified this in his later movie "Wag The Dog" and subsequently they have shared the screen in the "Meet The Parents" sequels). These two fantastic actors have never really went toe-to-toe on dramatic terms, though, and this film seems like a missed opportunity on that level. As for the structure itself, it's a film of two halves; the first concentrating on the boys' high jinks (again, with great performances from it's young actors - Joe Perrino and Brad Renfro being the standouts) while the latter half descends into a formulaic courtroom drama which stretches credulity and eschews any form of logic in order to deliver the drama. It's during this, that the "true" nature of the story becomes seriously questionable and we're also left with an overhanging, dubious message on justice. Despite these issues, though, there are many highlights to be found and at nearly two and half hours long, it's never dull. Whether or not it's true is another matter but at the very least, Carcaterra has written an emotional and involving tale.
Flawed and uneven with a conclusion that simply doesn't convince, but if you're able to sidestep these faults then there's still a great film at it's core.
Mark Walker
Super Reviewer
Super Reviewer
"When friendship runs deeper than blood"
There is only one way to describe Sleepers and that is that it is a great movie. It comes with flaws, which I won't discuss as they are very apparent and because I just can't take away from how great this film is. Sleepers is easily Barry Levinson's best film and features amazing performances from a variety of really talented actors like Dustin Hoffman and Robert De Niro. Those are the legends in the cast, but there are so many more like Brad Pitt, Kevin Bacon, and Jason Patric. That is just scratching the surface on all the great performances that came out of this movie.
Sleepers begins with a great introduction to the life of four friends in the slums of Hell's Kitchen. Levinson does a tremendous job with the setting. He shows just how bleak existence is in Hell's Kitchen. From there we move into a childhood drama, where the four friends rob a hot dog vendor and end up almost killing someone by accident. Then the story moves into a juvenile facility where the kids are sent. The kids all go through hell there. That's as far into the story as I'm going to go. The last thing I'll add about it is that the movie skips ahead to when the four kids are in their twenties and the story resumes from there.
This film captures three different situations and make the movie feel like three shorts all combined into one. The first being a childhood drama, the second a prison drama and the third a courtroom drama. The first is very nostalgic and fun to watch until it ends in tragedy. The second is extremely hard to watch, but insanely well done. And both the second and third are very sad. Watching this again now is even harder, with the stories from Penn St and Syracuse dominating the news.
Sleepers is a film that you won't forget after watching it. Despite not knowing if the story is really true(the author claims it is, but the juvenile facilities say it is not), you feel for the characters because even if this story isn't true, it still is. This is happening somewhere. As hard to watch as it is, it needs to be seen.
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The film is stylized and idealized to be sure, yet I don't doubt that this version of Hell's Kitchen exists and the problems and moral questions posed are real. Sleepers is reminiscent of Stand By Me but less nostalgic. The movie tells at least 2 stories, and the legal concoction story was preposterous and began to lose me, but the film is redeemed by its constant emphasis on the boys and their undying friendship and loyalty. Also, Robert DeNiro as Father Bobby is believable, the lynch pin who holds the entire film together. The movie is too long; its almost laboring late in the film, but you're hooked by then. Its definitely worth watching on an emotional and philosophical level. What is justice? When is an act justice or simply revenge? And, what cost to your own soul do you pay for revenge? Barry Levinson poses these questions and more in a tale set in Hell's Kitchen, a setting all too real.
Super Reviewer
As far as the controversy regarding it being based on real events is concerned, IMO its all as much real as The Blair Witch Project. Thankfully unlike TBWP, we had some intriguing story going on here & didn't have to put up with idiotic shaky camera work (that's not as much a problem though, if the proceedings are engaging as in [Rec]).
Finally, though a bit flawed, it was surely worth my time. Go for it; see if it manages to get deep into your blood!!!
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Even though it is an all star cast and each play great roles, the best performance in this film has to go to young Joseph Perrino.
A film of child abuse, corruption, religeon, domestic abuse.
The story is told in 2 parts, one as the 4 young boys going to a correctional facility for a prank that went horribly wrong and the second part, revenge.
In addition to this it is believed to be based on a true story
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