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This film is the product of an unlikely pairing between novelist Elmore Leonard and maverick screenwriter-director Paul Schrader. Leonard usually writes Detroit-based crime novels; this time, Schrader transports one of Leonard's quirkier, non-crime books to an L.A. scene. Christopher Walken plays slick ex-preacher and musical promoter Bill Hill, who is trying to rescue his former church organist Virginia Worrell (Conchata Ferrell) from an abusive husband. He enlists a former Franciscan priest, a Brazilian named Juvenal (Skeet Ulrich) who now works as an alcohol rehabilitation counselor. Juvenal not only calms down Virginia's husband, he cures her blindness. Later, he also cures a young boy of leukemia. His laying on of his hands causes his palms to bleed with the stigmata of Jesus Christ. As work of his miraculous powers spreads, Juvenal becomes the prey of several people who want to exploit him, including Hill, who's out for money, and a militant traditionalist Catholic, August Murray (Tom Arnold), who wants Juvenal to help his crusade to restore the old-fashioned Latin Mass. Juvenal is also pursued by a television reporter, Kathy Worthington (Janeane Garofalo) and a tabloid TV show host, Debra Lusanne (Gina Gershon), who wants to televise his miracles live. Hill's scheme is to use an assistant record producer, Lynn Faulkner (Bridget Fonda), to pretend to be an alcoholic, get admitted to the center where Juvenal works, and find out more about Juvenal. … More
as Lynn Faulkner
as Bill Hill
as August Murray
as Debra Lusanne
as Kathy Worthington
as Antoinette Baker
as Elwin Worrel
as Virginia Worrel
as Father Nestor
as Greg Czarnicki
as Father Donahue
as Scruffy Staff Worker
as Court Clerk
as Father Navaroli
as Bib Overalls
as Song Leader
as Richie Baker
as Roman Governor
as Palsied Man
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Critic Reviews for Touch
Paul Schrader and comedy have probably never had more than a nodding acquaintance, and that's what they have in this tepid satire.
The end result is an effort that starts to vanish from one's memory minutes after it concludes...
Pleasantly entertaining and intelligent, it does not create enough of a spiritual mystery to move the heart, but watching the characters droolingly circle one another has its own, more earthly rewards.
A solid adaptation of Elmore Leonard's novel, with a nice lead performance by Skeet Ulrich.
Although not destined for greatness, there are some appealing elements about this irreverent comedy that doesn't take itself too seriously; bizarre characters, off-the-wall concepts and absurdly funny lines.
The experience of seeing the film is subduing; the movie plays in a muted key.
Audience Reviews for Touch
Begins with an interesting premise, that an ex-monk has the power to heal, but degenerates into a passel of cliches injected, it seems, simply to finish the work, as if the director took a more important call mid-interview. You will cease to care as well although Tom Arnold heroically behaves throughout as if there were still a film to save.More
Tried to write a review and failed so I'll stick with my thoughts while watching the film:
"This is exactly the film you'd get if Tarantino brought the rights to The Green Mile."
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