Hoodlum (1997)
Runtime: 2 hrs 13 mins
Synopsis: Bill Duke's HOODLUM, with its rich visuals, brutal violence, and moral probing, pays homage to THE GODFATHER and other classic gangster films while exploring the nature of black empowerment as it relates to criminality. The film is Duke's second collaboration with Laurence Fishburne, and... Bill Duke's HOODLUM, with its rich visuals, brutal violence, and moral probing, pays homage to THE GODFATHER and other classic gangster films while exploring the nature of black empowerment as it relates to criminality. The film is Duke's second collaboration with Laurence Fishburne, and as with DEEP COVER, Fishburne delivers a compelling performance. He plays Ellsworth "Bumpy" Johnson, the legendary Harlem gangster of the 1930s who fought Dutch Schultz for control of the numbers racket. Tim Roth is hilariously grotesque as Schultz, a villain whose foul mouth sets a new cinematic standard. Duke gets strong performances from Andy Garcia as Lucky Luciano and Chi McBride as Bumpy's right-hand man, Illinois. Vanessa Williams plays Francine, a social activist who loves Bumpy but can't understand the violent path he's chosen. Bumpy, a surprisingly civic-minded criminal, goes to war with Schultz to protect Harlem from the interloper, but as the body count mounts in the community he's trying to protect, he ends up losing the support of those closest to him. The film's uneasy mix of mayhem and humor makes for compelling viewing, and the moral questions it raises about black empowerment and criminality only add to the intrigue. [More]
Genre: Dramas
Starring: Laurence Fishburne, Andy Garcia, Tim Roth, Vanessa Williams, Cicely Tyson
Screenwriter: Chris Brancato
Composer: Elmer Bernstein
Producer: Chris Brancato, Bill Duke, Paul Eckstein, Laurence Fishburne, Frank Mancuso, Helen Sugland
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Reviews
It contains nothing of any lingering interest. On the other hand, Laurence Fishburne may be the only man on the planet who makes that mustache look good.
A collection of elements rather than a distinct story, the film takes what should have been a fresh perspective on the genre and paints by numbers.


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