Hoodlum Reviews

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Top Critic
Owen Gleiberman
Entertainment Weekly
September 7, 2011
Full Review | Original Score: B
Emanuel Levy
EmanuelLevy.Com
July 28, 2005
| Original Score: 3/5
Linda Cook
Quad City Times (Davenport, IA)
December 22, 2002
| Original Score: 4/5
Top Critic
James Berardinelli
ReelViews
January 1, 2000
Full Review | Original Score: 3/4
Top Critic
Roger Ebert
Chicago Sun-Times
January 1, 2000
Full Review | Original Score: 3/4
Top Critic
Susan Stark
Detroit News
January 1, 2000
Full Review | Original Score: 3/4
Matt Easterbrook
Matt's Movie Reviews
January 1, 2000
| Original Score: 7/10
Top Critic

USA Today
January 1, 2000
The Sting-like ending with its crosses and double-crosses could have been better handled, but there are plenty of other payoffs.
| Original Score: 3/4
Top Critic

Entertainment Weekly
August 27, 1997
Full Review | Original Score: B
Michael Dequina
TheMovieReport.com
February 14, 2009
This slow-going, talky film is in a constant struggle to hold the audience's interest.
Full Review | Original Score: 2/4
Dragan Antulov
rec.arts.movies.reviews
March 15, 2004
Full Review | Original Score: 2/10
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)
March 27, 2003
| Original Score: 2/5
Rob Vaux
Flipside Movie Emporium
November 1, 2002
It contains nothing of any lingering interest. On the other hand, Laurence Fishburne may be the only man on the planet who makes that mustache look good.
| Original Score: 2/5
Philip Martin
Arkansas Democrat-Gazette
October 25, 2002
| Original Score: 2/5
Top Critic

Globe and Mail
April 12, 2002
Full Review | Original Score: 2.5/4
Jack Garner
Rochester Democrat and Chronicle
January 1, 2000
Full Review | Original Score: 5/10
Madeleine Williams
Cinematter
January 1, 2000
Full Review | Original Score: 2/4
Steve Rhodes
Internet Reviews
January 1, 2000
Full Review | Original Score: 2/4
Marc Savlov
Austin Chronicle
January 1, 2000
Full Review | Original Score: 2/5
David Luty
Film Journal International
January 1, 2000
A collection of elements rather than a distinct story, the film takes what should have been a fresh perspective on the genre and paints by numbers.
Top Critic
Jay Weissberg
Variety
July 10, 2009
Robin Clifford
Reeling Reviews
April 9, 2005
Kevin N. Laforest
Montreal Film Journal
September 10, 2002

Boxoffice Magazine
June 5, 2002
Top Critic
Stephen Holden
New York Times
January 1, 2000
Top Critic

Washington Post
January 1, 2000

E! Online
January 1, 2000
Bruce Kirkland
Jam! Movies
January 1, 2000
Cynthia Fuchs
Philadelphia City Paper
January 1, 2000
Urban Cinefile Critics
Urban Cinefile
January 1, 2000

Deseret News, Salt Lake City
January 1, 2000
Top Critic

Houston Chronicle
January 1, 2000
Noel Murray
Nashville Scene
January 1, 2000
Top Critic
Mick LaSalle
San Francisco Chronicle
January 1, 2000
Barbara Shulgasser
San Francisco Examiner
January 1, 2000
Scott Renshaw
rec.arts.movies.reviews
January 1, 2000
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