Life Is Beautiful (1998)
Runtime: 1 hr 58 mins
Synopsis: Conjuring keys and hats out of thin air, Guido (Roberto Benigni), a clever Jewish-Italian waiter, successfully courts Dora (Nicoletta Braschi), a beautiful local woman, in Fascist pre-WWII Italy. His life, however, is turned upside down a few years later when he, Dora, and their young son,... Conjuring keys and hats out of thin air, Guido (Roberto Benigni), a clever Jewish-Italian waiter, successfully courts Dora (Nicoletta Braschi), a beautiful local woman, in Fascist pre-WWII Italy. His life, however, is turned upside down a few years later when he, Dora, and their young son, Giosué (Giorgio Cantarini), are sent to a Nazi concentration camp. Refusing to give up hope, Guido tries to protect his son's innocence by pretending that their imprisonment is just an elaborate game, with the grand prize being a tank. For years the box-office champ in Italy and the country's most beloved slapstick comic, the Chaplinesque Benigni took a huge risk with LIFE IS BEAUTIFUL. Many people worried that the film would be as offensive as plopping a cartoon character in Auschwitz. (A similar work--THE DAY THE CLOWN CRIED, a Jerry Lewis film about a comedian in a concentration camp--turned out to be a disaster two decades earlier.) Although LIFE IS BEAUTIFUL did provoke some controversy, many people found the film to be a poignant, tragicomic story that profoundly reaffirmed the humanity of concentration camp victims. The film became the highest grossing foreign language film in the U.S. and established Benigni as an international star. [More]
Genre: Dramas
Starring: Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini, Guistino Durano, Sergio Bini Bustric
Screenwriter: Roberto Benigni, Vincenzo Cerami
Producer: Gianluigi Braschi, Elda Ferri
Composer: Nicola Piovani
DVD Info
Release:
Oct 28, 2003
Buy It On DVD
Reviews
With Life Is Beautiful, the final frontier of schmaltz has been reached.
Sentimental and fake, Benigni's well-intentioned Holocaust dramedy doesn't work on any level, not even as a children's fable. Inexplicably, it won a major prize at the 1998 Cannes Festival.
Benigni does with the Nazi setting what Chaplin didn't dare in The Great Dictator--he lets the liberating nonsense triumph.
Benigni's point, made with tender sensitivity, is that a child's innocence is worth protecting.
This cross between Schindler's List and Hogan's Heroes works better than it has any right to, but not as well as most people would have you believe.
Audiences will be laughing hysterically while crying their eyes out.
I had thought The Other Sister was appalling in its exploitation of the mentally disabled to grab your entertainment dollar, but that was nothing, NOTHING compared to what the funny little Italian man has wrought.
Related Forums

by: CrzyCanuck72 7/14/03


Top Critic
