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Movies / On DVD / Psycho
Psycho

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Psycho (1998)

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33 %
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Reviews Counted:69

Fresh:23

Rotten:46

Average Rating:5/10

Consensus: Van Sant's pointless remake neither improves or illuminates Hitchcock's original.

Runtime: 2 hrs

Genre: Horror/Suspense

Synopsis: A remake of director Alfred Hitchcock's 1960 thriller about a young woman, who, while on the run after stealing $40,000 from her boss, is brutally murdered in the shower of a motel she is staying... A remake of director Alfred Hitchcock's 1960 thriller about a young woman, who, while on the run after stealing $40,000 from her boss, is brutally murdered in the shower of a motel she is staying in one night. As police investigate her disappearance, we learn more about the motel's psychotic owner, Norman Bates. Director Gus Van Zant's film is a shot-for-shot remake of the original. [More]

Starring: Vince Vaughn, Anne Heche, William H. Macy, Julianne Moore

Starring: Vince Vaughn, Anne Heche, William H. Macy, Julianne Moore, Viggo Mortensen, Chad Everett, Philip Baker Hall, Anne Haney, Rance Howard, James LeGros, Robert Forster

Director: Gus Van Sant

Director: Gus Van Sant
Story: Robert Bloch
Producer: Brian Grazer
Composer: Bernard Herrmann

[See More Credits]

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Release:

Jun 8, 1999

No Details Exist
 
 

Reviews for Psycho

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1 - 20 (sorted by critic A-Z)
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Hitchcock probably wouldn't tell this story if he was making films today, and he certainly wouldn't tell it this way, with internal 'voices', back projection, minimal nudity and violence.

Full Review Source: Time Out | comment Comment
02/09/06
Derek Adams
Derek Adams
Time Out

There's so much to relish here that you quickly lose any sense that the remake is some kind of insult to the original.

Full Review Source: San Francisco Examiner | comment Comment
01/01/00
Walter V. Addiego
Walter V. Addiego
San Francisco Examiner

Deserves closer consideration than it received.

Full Review Source: Combustible Celluloid | comment Comment
05/26/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Es mejor que las nuevas generaciones vayan a la tienda de videos y renten la versión original

Full Review Source: Moviola | comment Comment
01/01/00
Jorge Avila Andrade
Jorge Avila Andrade
Moviola

Even with Hitchcock’s shot list and a visual record of the crime, Van Sant can’t come up with anything more than a wan tribute to the master, proving it takes more than a good storyboard to make a film work.

Full Review Source: Nitrate Online | comment Comment
01/01/00
Sean Axmaker
Sean Axmaker
Nitrate Online

The most hyped karoake act in history.

Full Review Source: rec.arts.movies.reviews | comment Comment
01/01/00
Wallace Baine
Wallace Baine
rec.arts.movies.reviews

As Norman Bates, Vince Vaughn makes us better appreciate how much Anthony Perkins brought to the original project.

Full Review Source: Austin Chronicle | comment Comment
01/01/00
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

This is a lifeless, workmanlike project; all tension has been leeched away. Also, it's in color.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

...the Hitchcock film relied for its effects on originality and creativity. Van Sant's remake substitutes rote repetition and cliches that have long since lost their value.

Full Review Source: ESplatter | comment Comment
09/16/08
Steve Biodrowski
Steve Biodrowski
ESplatter

This gutsy cinematic experiment is more than just a curiosity. It's an intelligent homage (at times even a spoof) and still a bit of a hand-wringer, even though pop culture has spoiled all the surprises.

Full Review Source: SPLICEDWire | comment Comment
01/01/00
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

Vaughn, from the outset, seems like a loose cannon, a nut case, a psycho. Unlike Anthony Perkins who, at first, appeared as a shy mama's boy, Vaughn adds an extra layer of menace to his Norman that renders Van Sant's film a bit a-kilter.

Full Review Source: rec.arts.movies.reviews | comment Comment
01/01/00
Bob Bloom
Bob Bloom
rec.arts.movies.reviews

So much of Van Sant's 'new' version of the classic remains the same that you sit there shaking your head, mumbling, why, oh, why?

comment Comment
01/01/00
Peter Brunette
Peter Brunette
Film.com
Top Critic Icon Top Critic

Less a remake and more a scene-by-scene reconstruction, with all of the original dialogue intact.

Full Review Source: rec.arts.movies.reviews | comment Comment
01/01/00
David N. Butterworth
David N. Butterworth
rec.arts.movies.reviews

Contains nothing to outrage or offend partisans of the original, yet neither does it stand to add much to their appreciation.

Full Review Source: Variety | comment Comment
03/26/09
Godfrey Cheshire
Godfrey Cheshire
Variety
Top Critic Icon Top Critic

Since this is a virtual shot-by-shot, line-by-line remake of the original masterpiece, it’s like watching a new version of a Shakespeare play. Think about it.

Full Review Source: eFilmCritic.com | comment Comment
01/01/00
Erik Childress
Erik Childress
eFilmCritic.com

A lot of people may not get the point of recreating a work such as Psycho. I didn't get it, until I saw the film.

Full Review Source: Reeling Reviews | comment Comment
04/09/05
Robin Clifford
Robin Clifford
Reeling Reviews

A Psycho that functions perfectly on its own terms while polishing this jewel of a thriller into its own bright new gleam.

Full Review Source: Nick's Flick Picks | comment Comment
01/10/03
Nick Davis
Nick Davis
Nick's Flick Picks

Having all of this distinctly '60s material played out by '90s performers in living color makes for a film that feels jarringly anachronistic...

Full Review Source: TheMovieReport.com | comment Comment
01/01/00
Michael Dequina
Michael Dequina
TheMovieReport.com

Unnecessary!

Full Review Source: Milwaukee Journal Sentinel | comment Comment
01/01/00
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

The movie is an invaluable experiment in the theory of cinema, because it demonstrates that a shot-by-shot remake is pointless; genius apparently resides between or beneath the shots, or in chemistry that cannot be timed or counted.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic
 
 
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