An intelligent and very satisfying work of art.
The Winslow Boy (1999)
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Reviews Counted:34
Fresh:33
Rotten:1
Average Rating:7.9/10
Runtime: 1 hr 44 mins
Genre: Dramas
Synopsis: Based on an actual trial that created a media frenzy in WWI-era London, THE WINSLOW BOY might have been conceived as a standard courtroom drama. Instead, director David Mamet (working from the play... Based on an actual trial that created a media frenzy in WWI-era London, THE WINSLOW BOY might have been conceived as a standard courtroom drama. Instead, director David Mamet (working from the play by Terence Rattigan) focuses on a family pushed to the limit by its fight for justice. The trouble begins when Ronnie Winslow (Guy Edwards), a 13-year-old naval cadet, is accused of, and subsequently expelled for, stealing a five-shilling postal order. The boy's father, Arthur (Nigel Hawthorne), believes his son's protestations of innocence and sets in motion an expensive fight against the immense bureaucratic machinery of the crown. The expense and publicity imperil the family--costing Arthur's suffragette daughter, Catherine, a suitor, for example--even as the case becomes a national cause célèbre. The story captures a period of intense social change; charts an early example of the "media trial"; and asks the very human question, What is one's good name worth? Excellent performances abound in the film, especially from Jeremy Northam as the charismatic lawyer Sir Robert Morton; and Mamet's wife, Rebecca Pidgeon, as Catherine. [More]
Starring: Nigel Hawthorne, Jeremy Northam, Rebecca Pidgeon, Gemma Jones
Starring: Nigel Hawthorne, Jeremy Northam, Rebecca Pidgeon, Gemma Jones
Director: David Mamet
Director: David Mamet
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Reviews for The Winslow Boy
Arthur Winslow and Sir Robert Morton are as ruthless in their way as the real estate salesmen in Mamet's Glengarry Glen Ross are in theirs...
The Winslow Boy might be triumph of style over substance, but sometimes, like in this case, style is what separates good from bad films.
...for all the craft and care evident in Mamet's movie, it still is a rather bloodless affair, more admirable than engaging.
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