Opening

76% Fast & Furious 6 May 24
32% The Hangover Part III May 23
94% Epic May 24
97% Before Midnight May 24
67% We Steal Secrets: The Story Of Wikileaks May 24
88% Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
49% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
56% Oblivion $2.3M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

The Haunting Reviews

Todd McCarthy
Variety
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June 18, 2008
Derek Adams
Time Out
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June 24, 2006

Globe and Mail
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Full Review Source: Globe and Mail | Original Score: 1.5/4

March 22, 2002
Kenneth Turan
Los Angeles Times
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February 14, 2001
Susan Wloszczyna
USA Today
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Director Jan De Bont may have made a cow fly in Twister, but he can't keep the howling dog called The Haunting from spinning into FX excess.

January 1, 2000
Philip Wuntch
Dallas Morning News
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When The Haunting finally limps to its conclusion, you may feel like booing the screen.

Full Review Source: Dallas Morning News

January 1, 2000
Jeff Millar
Houston Chronicle
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The actors are basically helpless with this.

Full Review Source: Houston Chronicle

January 1, 2000
J. Hoberman
Village Voice
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January 1, 2000
Mick LaSalle
San Francisco Chronicle
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The only thing scary about the new version is realizing that someone keeps giving director Jan De Bont money to make movies.

Full Review Source: San Francisco Chronicle | Original Score: 1/4

January 1, 2000
Jay Carr
Boston Globe
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If you crave horror, you're better off seeing The Blair Witch Project a second or third.

January 1, 2000
Michael Wilmington
Chicago Tribune
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In The Haunting, the moviemakers succeed in something very difficult: creating a haunted house with real personality and terror.

January 1, 2000
Lisa Schwarzbaum
Entertainment Weekly
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Worse than awful!

Full Review Source: Entertainment Weekly | Original Score: D

January 1, 2000
James Berardinelli
ReelViews
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Full Review Source: ReelViews | Original Score: 1.5/4

January 1, 2000
John Hartl
Seattle Times
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The more this new Haunting tries to impress with its state-of-the-art techniques, the more it recalls how much Wise accomplished with eerie lighting effects and mysterious noises on the soundtrack.

January 1, 2000
Desson Thomson
Washington Post
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The characters are on the dramatic equivalent of Death Row.

Full Review Source: Washington Post

January 1, 2000
Desmond Ryan
Philadelphia Inquirer
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A passable piece of summer hokum, but it underlines how difficult it has become to make an effective horror movie.

January 1, 2000
Joe Baltake
Sacramento Bee
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All logic is deadened by the obnoxious special effects!

Full Review Source: Sacramento Bee

January 1, 2000
Charlie McCollum
San Jose Mercury News
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So breathtakingly bad, so unintentionally funny that it could take on the status of a camp classic.

January 1, 2000

Atlanta Journal-Constitution
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An overpriced mess!

January 1, 2000
Janet Maslin
New York Times
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A lavish illustration of how to take a fairly modest black-and -white horror film from 1963 and amplify it so relentlessly that the sight of the flying cow in Twister would not be all that amiss.

Full Review Source: New York Times | Original Score: 3/5

January 1, 2000
Stephanie Zacharek
Salon.com
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A mess, a jumble of fancy special effects that are supposed to be scary but are really just fancy, further decorated with dribbles of dialogue, most of which are unintentionally hilarious.

Full Review Source: Salon.com

January 1, 2000
Susan Stark
Detroit News
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The Haunting is a muddled mess that defies any rationality.

January 1, 2000
Rod Dreher
New York Post
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Clumsy, bloated and wretchedly overdone!

January 1, 2000
Peter Rainer
New York Magazine
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January 1, 2000
Robert Horton
Film.com
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This film relies on special effects instead of suggestion, plot instead of mood, and explanation instead of mystery.

January 1, 2000
Steven Rosen
Denver Post
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A blaring kitsch project of a horror film.

January 1, 2000
Ernest Hardy
Film.com
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There are few truly frightening moments in the film, little tension or real sense of menace, and the camp humor that is suggested in early scenes dissipates fairly quickly.

January 1, 2000
Roger Ebert
Chicago Sun-Times
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To my surprise, I find myself recommending The Haunting on the basis of its locations, its sets, its art direction, its sound design, and the overall splendor of its visuals.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

January 1, 2000
Kevin Maynard
Mr. Showbiz
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Shockingly lethargic!

January 1, 2000
Jay Boyar
Orlando Sentinel
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Shockingly short on suggestiveness and restraint.

January 1, 2000
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