The Swindle (1997)
Genre: Foreign Films
Starring: Isabelle Huppert, Michel Serrault, François Cluzet, Jean-François Balmer, Jackie Berroyer
DVD Info
Release:
Aug 29, 2006
DVD Features:
- Letterboxed - 16/9
Audio:
- (unspecified) - French
- Subtitles - English - Optional
Additional Release Material:
- Short Film - LA FARFALE
- Trailers - Theatrical Trailer
Buy It On DVD
Reviews
As a cinematic confection from one of the masters, it's cotton candy, evaporating before it ever gets good.
The Swindle might not be a deep film, but it makes no missteps in showing us the steps these two small time crooks take as they attempt to pull off a big time con.
Você pode até não rir durante a projeção, mas sairá do cinema com um sorriso de lado, admirado com a esperteza - e falta de escrúpulos - daquele casal tão simpático.
It's another wickedly humorous psychological thriller that provides a showy part for [Chabrol's] favorite star, Isabelle Huppert.
A work of superb yet unpretentious film craftsmanship by a past master and an impeccable cast and crew.
While the film's leisurely pace makes some of the more dramatic scenes seem a little flat, the talented cast ultimately overcomes the film's shortcomings.
Trust no one. Suspect everyone. It will still have one more angle to unfold that you will not anticipate.
The ambiguous pairing of Victor (Serrault) and Betty (Huppert) is both comfortable and playful.
Pleases the eye without ever awakening the mind, offering a delicately told tale of intrigue and corruption without ever awakening the basic human passions which are supposedly its subject.
Chabrol's plot is silly, wholly unbelievable even for light fare, and downright confounding.
It's a fluffy, good-natured exercise in style that succeeds just fine, but doesn't leave you wanting any more.
Illustrates the way that comedy is serious business, divulging remarkable intelligence to viewers about the human condition.
Like The Grifters and Bound, The Swindle succeeds because, in addition to telling an engaging crime story with vivid characters, it never takes itself too seriously.


Top Critic