Average Rating: 5.8/10
Reviews Counted: 85
Fresh: 47 | Rotten: 38
Stiff performances fail to produce any tension onscreen.
Average Rating: 6.4/10
Critic Reviews: 21
Fresh: 14 | Rotten: 7
Stiff performances fail to produce any tension onscreen.
liked it
Average Rating: 3/5
User Ratings: 9,656
The setting is New York City in the year 2000, providing an instant entree to a new generation of filmgoers. Hamlet is born of an alienation and angst not unfamiliar to young audiences. Denmark is not a kingdom but a huge corporation, and the ghost of his father appears to him on the terrace of his sterile metropolitan hotel. The famous 'to be or not to be' speech is delivered under the glare of fluorescent lights in the aisles of a video store. It seems as if once again, this version of the
May 12, 2000 Wide
Apr 17, 2001
Miramax Films
All Critics (86) | Top Critics (22) | Fresh (47) | Rotten (39) | DVD (10)
It could prove almost as definitive -- and far more easily digestible -- than Branagh's textually complete version.
The lines are read for the most part with more feeling for the angry-stepchild plot than for the iambic pentameter.
Icy-cold in its palette and unwaveringly cool in its application of modern settings and gizmos to a text that stands up to endless reinvention, this is a Hamlet that brings imagination matched by thoughtfulness to its appeal to both eye and ear.
The result is more than a mere gimmick and less than an unqualifed success, but yes -- it's always watchable.
By equating the garish feudalism of the play's original setting with the megalopolis of today's New York, [Almereyda is] at least on the right track. The problem is, it's just about his only track.
Almereyda has pulled off a formidable coup: He's made Shakespeare come alive for contemporary audiences of all ages, especially young people.
2000 version of Hamlet is just dreadful.
Almereyda pares the drama down to its bloody core, leaving a potent tale of despair, madness and loss.
The movie is almost playful in its mission to burrow around inside Hamlet and discover what's still relevant about it.
Almereyda modernises and streamlines without trivializing, and amplifies poetic melodrama with regular ingenuity and energy.
The city becomes a living emblem of the tense coexistence of art and corporatism, an uneasy relationship which Almereyda emphasizes as the core conflict of his picture.
[This is] an imaginative and exciting update, lacking only the decent swordfight the ending demands.
I guess Johnny Depp was busy, so they got the one that can't act.
No, Ethan Hawke can't do Shakespeare.
In a sense, it's B-movie Shakespeare, the same as Orson Welles' inspired version of Macbeth (1948), which was produced on a skimpy budget for a B-picture studio.
Hamlet is supposed to be melancholy, but Hawke plays him as a disturbed loner who is more likely to infect the world's computers with an e-mail virus than avenge his father's murder.
Consider it a primer for Kenneth Branagh's four and a half hour Hamlet opus.
Fear not. This Bard is anything but boring!
This film is a refreshing contrast to the latest batch of Shakespeare films.
Best to stick with either the Olivier or Zefirelli/Mel Gibson versions.
It seems like they're just actors somehow in a modern setting reciting off of their script (or, in this case, screenplay), but it's all a great, fantastic production otherwise.
June 15, 2011Super Reviewer
This is not bad at all. Again, it's no Branagh, but I enjoyed it. I"m not sure if BIll Murray -- who is on my favorite actor list -- is delivering intentionally his Polonius lines the way he does, in that halting manner, as if not fully comprehending the words, or if he really is not doing a very good job. Even with
February 2, 2009Super Reviewer
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