To be or not to be? This should not have been.
Hamlet (2000)
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Reviews Counted:84
Fresh:47
Rotten:37
Average Rating:5.8/10
Consensus: Stiff performances fail to produce any tension onscreen.
Runtime: 1 hr 52 mins
Genre: Dramas
Synopsis: Ethan Hawke stars in this modern update of Shakespeare's classic play. He portrays a young filmmaker in New York City who struggles to gain power of his deceased father's company, even as the new... Ethan Hawke stars in this modern update of Shakespeare's classic play. He portrays a young filmmaker in New York City who struggles to gain power of his deceased father's company, even as the new boss (Kyle MacLachlan) manages to take total control of the proceedings. Michael Almereyda's (NADJA) film is another stylized adaptation of the Bard's words, featuring standout performances by the entire cast. For other modern Shakespeare adaptations, see Baz Luhrmann's ROMEO AND JULIET and Julie Taymor's TITUS. [More]
Starring: Ethan Hawke, Julia Stiles, Kyle MacLachlan, Diane Venora
Starring: Ethan Hawke, Julia Stiles, Kyle MacLachlan, Diane Venora, Bill Murray, Liev Schreiber, Sam Shepard, Casey Affleck, Karl Geary, Steve Zahn, Jeffrey Wright, Dechen Thurman, Paul Bartel
Director: Michael Almereyda
Director: Michael Almereyda
Screenwriter: Michael Almereyda
Story: William Shakespeare
Producer: Andrew Fierberg, Amy Hobby
Composer: Carter Burwell
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Release:
Apr 17, 2001
Reviews for Hamlet
This film is a refreshing contrast to the latest batch of Shakespeare films.
Almereyda pares the drama down to its bloody core, leaving a potent tale of despair, madness and loss.
A disappointment because it failed to peak my interest like Baz Luhrman's Romeo & Juliet did.
The lines are read for the most part with more feeling for the angry-stepchild plot than for the iambic pentameter.
Might work if Almereyda were playing it strictly for laughs. But for the most part he's serious, and the result is likely to satisfy no one.
Instead of being a companion to Baz Luhrmann's Romeo And Juliet (1996) , this can be filed under wasted opportunities.
Shakespeare gets buried in a barrage of faxes, videos, jumpcuts, and product placements.
Almereyda's Hamlet is just a superficial treatment, uncomplicated and often unfathomable.
A perfect example of how a director with real vision can liberate the Bard for the times
Hamlet is a drama that should be larger than life. This version plays like a Fox network soap opera.
You'll probably wish this 21st-century Hamlet will make his moves sooner than most previous incarnations, if only to cut short the droning.
Hawke is very trying as he spouts Shakespeare's 16th-century wisdom in the setting of 21st century New York in this Hamlet.
[Hawke's] very lack of polish and overt skills make him a particular kind of tragic hero, that is, not heroic or even very compelling.
Jitteringly paced and awkwardly edited with a brace of vapid performances. Only Sam Shephard gives a performance worthy of the material.
The picture starts out promisingly, but seems to lose scale and focus as it progresses; this could be the only production of Hamlet on record in which the bloody finale seems anti-climactic.
It could someday serve as a Y2K time capsule, far better than as a reading of the play itself.
Consider it a primer for Kenneth Branagh's four and a half hour Hamlet opus.
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