X-Men (2000)
Runtime: 2 hrs
Theatrical Release: Jul 14, 2000 Wide
Box Office: $6,762,378
Synopsis: Based on the long-running Marvel comic book series, X-MEN takes place in the near future, as certain humans are evolving into mutants with special powers. In the Canadian wilderness, a young runaway mutant named Rogue (Anna Paquin) and Wolverine (Hugh Jackman), a bad-tempered,... Based on the long-running Marvel comic book series, X-MEN takes place in the near future, as certain humans are evolving into mutants with special powers. In the Canadian wilderness, a young runaway mutant named Rogue (Anna Paquin) and Wolverine (Hugh Jackman), a bad-tempered, quick-healing mutant with retractable metal claws, are suddenly attacked by the powerful Magneto (Ian McKellen) and his lackeys. Fortunately, Cyclops (James Marsden) and Storm (Halle Berry), students of the compassionate Professor Charles Xavier (Patrick Stewart), interfere and bring them back to Xavier's School for Gifted Youngsters. Here Wolverine and Rogue learn more about the conflict between Xavier and the militant Magneto, who wants to power a device that will genetically alter humans, with possibly deadly results. Only Xavier's students can stop Magneto's plans. Director Bryan Singer (THE USUAL SUSPECTS) displays his expertise with an ensemble cast, accomplishing a feat by making the first live-action film about an entire group of superheroes. Hugh Jackman's portrayal of the ill-tempered Wolverine is dead-on, while Patrick Stewart and Ian McKellen are ideally matched in their Martin Luther King, Jr.- and Malcolm X-like roles. Smart and well-paced, X-MEN towers above most comic book movies. [More]
Genre: Science-Fiction/Fantasy
Starring: Hugh Jackman, Patrick Stewart, Ian McKellen, Famke Janssen, James Marsden
Screenwriter: David Hayter, Bryan Singer, Tom DeSanto
Producer: Lauren Shuler Donner, Ralph Winter
Composer: Michael Kamen
Pre-order it on DVD
Reviews
X-Men plays like a so-so middle chapter of an epic series rather than a fitting kickoff.
Apart from the brushed metal production design and pin-sharp camerawork, this offers only moderate excitement.
What makes this film such a success is its seriousness on the subject of proper and improper responses to oppression, its unique and memorable characters, its cleverness and visual imagination, and its refusal to degenerate into a bloodbath.
Not as disturbingly dark as Batman, but yet it still has the hard gritty edge that keeps the audience riveted to the screen.
All these characters with their odd powers are inherently absurd and they throw a barrel of wrenches into the machinery of a coherent narrative.
Singer was wise enough to keep the fight scenes silent instead of featuring the usual inane banter of most comic-book movies.
A rarity, a comic-book movie with a satisfying cinematic design and protagonists you want to watch.
Somebody, at least, made sure that a movie based on a comic book wasn't a comic book on screen, but instead, thankfully, just a really good movie.
Related Forums
by: Davidlau17 7/30/07
News
posted by July 28, 2008
Is 20th Century Fox developing a movie based on Roger Cruz and Jeff Parker's X-Men: First Class?
posted by Joe Utichi April 28, 2008
The actor and director tells RT how to deliver the ultimate fanboy superhero movie, what to expect from Iron Man future...
posted by Jeff Giles December 05, 2007
Meet your new Snake Eyes, G.I. Joe fans!
posted by Fred Topel September 30, 2007
Gavin Hood devoted a few minutes of time at a Rendition press day to answer questions about the upcoming project on...

Top Critic
