Saving Grace has a charm that keeps you involved throughout.
Saving Grace (2000)
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Reviews Counted:86
Fresh:55
Rotten:31
Average Rating:6/10
Consensus: The plot and basis for jokes are slight, but Saving Grace is indeed saved by some charming performances, most notably Brenda Blethyn's.
Synopsis: Set in the beautiful misty fishing town of Port Liac in Cornwall England, SAVING GRACE--an easy-going comic gem--centers on Grace Trevethan (Brenda Blethlyn), a sweet and modest middle-aged lady,... Set in the beautiful misty fishing town of Port Liac in Cornwall England, SAVING GRACE--an easy-going comic gem--centers on Grace Trevethan (Brenda Blethlyn), a sweet and modest middle-aged lady, whose husband commits suicide, leaving her with his grave financial problems. While real estate agents from London prey on Grace, trying to take away her home to settle the debts, she and her faithful gardener, Matthew (Craig Ferguson), devise a plan to grow enough marijuana in her greenhouse to break even. Wiring the greenhouse with super-bright growing lamps that cause the locals to wear sunglasses at night, having the ladies for "tea" resulting in fits of laughter and silly behavior, and pulling the wool over the local vicar's eyes, the whole town gets involved in this secret "joint venture." Once Grace harvests her crop, she hits the high road to London as a pusher, trying to sell the dope to a major dealer and cash out. Director Nigel Cole has hit the nail on the head with this film. The musical score from Mark Russell has a folky, feel-good beat, and the careful filming is colorful and clear. Never once does SAVING GRACE frown on its illegal subject matter, which makes its story all the more entertaining. [More]
Starring: Brenda Blethyn, Craig Ferguson, Martin Clunes, Tcheky Karyo
Starring: Brenda Blethyn, Craig Ferguson, Martin Clunes, Tcheky Karyo, Valerie Edmond, Tristan Sturrock
Director: Nigel Cole
Director: Nigel Cole
Screenwriter: Craig Ferguson, Mark Crowdy
Producer: Mark Crowdy
Composer: Mark Russell
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Reviews for Saving Grace
We're left with a promising idea for a comedy, which arrives at some laughs but never finds its destination.
It's a breezy and entertaining little charmer that works because it's not rendered on too precious a scale.
It is so low-key as to be almost no-key whatsoever. The situations in it are sometimes cute but never funny enough to provoke actual laughter.
With the right marketing push from Fine Line, this little gem could get over the hemp come Oscar time.
It's a feel-good British movie ideal for gangs of middle-aged, middle-minded women on bored afternoons, and toxically saccharine to anyone else.
True to the stoner ethos, the script too often settles for stale roaches when it should spark up fresh fatties.
It never quite rises above its one-joke situation, never builds the kind of offbeat rural charm it pursues.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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