Too much Freud and too little thought.
The Innocents (1961)
Tomatometer
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Reviews Counted:24
Fresh:23
Rotten:1
Average Rating:7.9/10
Consensus: Creepily atmospheric, The Innocents is a stylishly crafted, chilling British ghost tale with Deborah Kerr at her finest.
Runtime: 1 hr 40 mins
Genre: Horror/Suspense
Synopsis: Based on Henry James's TURN OF THE SCREW, THE INNOCENTS is a chilling psychological horror film about a woman, Miss Giddens (Kerr), who takes a position as governess for two orphans in a stately... Based on Henry James's TURN OF THE SCREW, THE INNOCENTS is a chilling psychological horror film about a woman, Miss Giddens (Kerr), who takes a position as governess for two orphans in a stately Victorian home. Alone with the children and only a few servants, Miss Giddens soon begins to see what she believes to be ghosts and begins to suspect that the children's increasingly bizarre behavior may be the result of some supernatural power. When she learns the fate of the house's previous governess and valet, Miss Giddens takes it upon herself to rescue the children from the supernatural being that seems to have them in its grips, all the while questioning her own sanity. Ms. Kerr's nuanced performance, possibly the best of her career, and Mr. Francis's atmospheric cinematography help make this a true horror classic. [More]
Starring: Deborah Kerr, Peter Wyngarde, Megs Jenkins, Michael Redgrave
Starring: Deborah Kerr, Peter Wyngarde, Megs Jenkins, Michael Redgrave, Pamela Franklin
Director: Jack Clayton
Director: Jack Clayton
Screenwriter: William Archibald, Truman Capote
Producer: Jack Clayton
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Reviews for The Innocents
Kerr is on top form here, enacting a role that takes perfect advantage of her respectable facade wrestling with unspeakable turbulence beneath the surface.
This classy English mystery is adorned by a wonderful Deborah Kerr as the governess driven to extremes by a strange, haunted mansion and strange, haunted children,
An impressively creepy adaptation of Henry James' The Turn of the Screw.
Jack Clayton’s 1961 chiller lives up to the story’s title, incrementally tightening the nerves through suggestive technical artistry in a way that few contemporary ghost stories manage.
Not altogether frightening, but it has a few creep-out moments that mostly redeem its totally ambiguous ending.
Stylish, intelligent and creepy. Cinematic storytelling at its finest, where word and image are perfectly married.
...creates an appropriately spooky tone that builds slowly, incrementally, until it reaches a shattering conclusion.
It sneaks under your skin, subtly and suggestively portraying something sinister and perverse that may exist only in the protagonist's head, but that doesn't mean it can't mess with yours.
Is it the finest, smartest, most visually savvy horror film ever made by a big studio?
Ambíguo e com forte subtexto sexual, este é um filme seminal, servindo como inspiração para obras como O Bebê de Rosemary, Os Outros e os recentes longas de terror japoneses.
It's masterly in every way with a great performance from Deborah Kerr as the troubled Victorian governess, superb black-and-white widescreen photography by Freddie Francis and Georges Auric's last, truly distinguished score.
Latest News for The Innocents
September 26, 2008:
Exclusive: Brand New The Children Photos and Director Introduction
Writing exclusively for RT, director Tom Shankland presents the first gallery of stills from the set of his twisted child-zombie movie The Children and takes us in to the... More...
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