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Nowhere to Hide (2000)
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Reviews Counted: 18
Fresh: 8
Rotten:10
Average Rating: 5.8/10
Runtime: 90 mins
Genre: Action/Adventure
Synopsis: NOWHERE TO HIDE, the sixth feature from Korean New Wave writer-director Lee Myung-Se (GAGMAN) is an arty police action film jam-packed with style and attitude. Fans of Asian directors Takeshi "Beat" Kitano and John Woo will recognize the... NOWHERE TO HIDE, the sixth feature from Korean New Wave writer-director Lee Myung-Se (GAGMAN) is an arty police action film jam-packed with style and attitude. Fans of Asian directors Takeshi "Beat" Kitano and John Woo will recognize the iconographic character of Detective Woo (Park Joong-Hoon), a slouching, thuggish homicide cop in South Korea's port city of Inchon. Woo smiles like a mischievous child, but he carries a baseball bat in his car, and leads a stooge-like squad of cops brandishing iron nightsticks. Along with his straitlaced partner, Kim (Jang Dong-Kun), Woo embarks on a sleepless, months-long hunt for the brutal killer who murdered a drug kingpin on the city's centralized monument, 40 Steps. Woo and his gangster-like men violently clash with suspects in colorful freeze frames and slow-motion shots, accompanied by a pumped-up rock score. After being defeated in a slapstick dance-like fight, a drug runner leads Woo to a primary suspect's femme fatale girlfriend, Juyon (Choi Ji-Woo). The detective then begins an infuriating game of watch and wait. Full of visual panache and humor, Lee's stylish thriller climaxes in a glorious rain-drenched mano a mano between the brutally tenacious Woo and his elusive prey. [More]
Starring: Joong-Hoon Park, Sung-Ki Ahn, Dong-Kun Jang, Ji-woo Choi
Starring: Joong-Hoon Park, Sung-Ki Ahn, Dong-Kun Jang, Ji-woo Choi
Director: Myung-Sae Lee
Director: Myung-Sae Lee
Screenwriter: Myung-Sae Lee
Producer: Tae-Won Chung
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Reviews for Nowhere to Hide
Myung-se usa o seu fiapo de roteiro para nos lembrar da velha máxima de que Cinema é, de fato, Imagem; e o resultado é um filme que contrasta os personagens falhos e incompetentes a um incrível virtuosismo visual e à trilha surpreendente.
The shots may look cool, but their artiness prevents the film from building momentum.
The bottom line is that Lee's innovative but ultimately tedious and even ludicrous MTV-style visuals add absolutely nothing to the story dynamics.
Too often the film and its visuals feel [like] disconnected, self-indulgent set pieces.
There's an exuberant, (post)modernity about the visuals -- the camera is never still and Lee's choice of angle is often inspired.
A skinny little mediocrity of a film, all dressed up with no place to go, except towards more violence.
Of course, there's no real story here, unless you want to hear the one about the self-obsessed filmmaker who thought this project would be cool.
It is an over-stylized film that lacks, oddly enough, a sense of style.
Park is the reason the new Korean film Nowhere to Hide works so well.
This is flash in the service of nothing, the proverbial sow's ear doing an indifferent imitation of a silk purse.
Don't look for a complex plot -- it's nowhere to be found in Nowhere to Hide. But with this much visual style, who needs it?
The film often churns with the pleasure that visual stimulation can provide and more affection for the bang-bang techniques than you're likely to see in the movies of music-video directors simply making the jump to the big screen.
Reveals that in Lee Myung-Se Korea has a filmmaker with enough razzle-dazzle and visceral appeal to rival Hong Kong's -- and Hollywood's -- John Woo.
Lee can't tell a story to save his life, but he's something of a visual magician, laying out glittering piles of goodies that you instinctively want to follow.
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