Though stark and difficult, The Circle will leave you feeling alive.
The Circle (2001)
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Reviews Counted:58
Fresh:54
Rotten:4
Average Rating:7.7/10
Consensus: Bleak, yet powerful, The Circle offers a searing indictment of the oppressive conditions experienced by women in Iran.
Theatrical Release:Apr 13, 2001 Limited
Synopsis: Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran--a place where women are restricted by numerous laws, including a repressive dress code, and can only... Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran--a place where women are restricted by numerous laws, including a repressive dress code, and can only travel accompanied by a man. The beginning of the film focuses on two women, Arezou (Mariam Palvin Almani) and Nargess (Nargess Mamizadeh), who have been given temporary leave from prison and have no intension of returning. They attempt to flee to Nargess's hometown, which she claims is as beautiful as a Van Gogh painting, but are deterred by police. Meanwhile, their friend Pari (Fereshteh Sadr Orfani), who has just escaped from jail, is pregnant and needs an abortion. Panahi's lens continues to shift from one woman to another as this eye-opening tale circles back on itself. More serious in tone than the director's brilliant, lighthearted debut, THE WHITE BALLOON, THE CIRCLE shares many of its technical and narrative flourishes, making it another example of Iranian cinema at its best and most politically aware. [More]
Starring: Fereshteh Sadr Orafai, Mariam Palvin Almani, Nargess Mamizadeh, Elham Saboktakin
Starring: Fereshteh Sadr Orafai, Mariam Palvin Almani, Nargess Mamizadeh, Elham Saboktakin, Monir Arab, Fatemeh Naghavi, Mojgan Faramarzi
Director: Jafar Panahi
Director: Jafar Panahi
Screenwriter: Kambozia Partovia, Jafar Panahi
Producer: Jafar Panahi
Studio: Winstar
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Reviews for The Circle
Few who make it through ... The Circle will forget the experience, or argue the film's power.
More than a window on an oppressed society -- it's filmmaking on the sharp edge of a knife.
Panahi's sensitivity to moment-by-moment sensations and the more subtle realities of the status of Iranian women that brings the film to life.
This soul-stirring film is about the courage and resiliency that comes from a deep yearning for freedom.
... a powerful statement about the oppression of women in Iran (banned within its own country), yet also celebrates their sisterhood
An impressive piece of work, especially considering it was made in a barren artistic climate overseen by a censorious government.
Profoundly dangerous to the status quo in Iran because it asks us to identify with the plight of women who have done nothing wrong except to be female.
By making these characters symbols rather than fleshed-out individuals ... Panahi limits the political as well as dramatic effectiveness of The Circle.
This tightly structured, often exciting film is among the boldest in a series of increasingly explicit movies about the hardships facing contemporary Iranian women.
A touching, intimate portrayal of how women cope in this closed society.
An impassioned plea for liberation that resonates long after the film is over.
Just like Tomb Raider, it is fiction. It just unfortunately comes a lot closer than the American film to the truth of how its female characters live.
In its brisk way, it's a devastating piece of work, and very brave too.
Comes across without Hollywood histrionics but rather as would a docudrama.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
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| 47% 47% | The Girl From Monaco |
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