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The Circle (2001)
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Reviews Counted:58
Fresh:54
Rotten:4
Average Rating:7.7/10
Consensus: Bleak, yet powerful, The Circle offers a searing indictment of the oppressive conditions experienced by women in Iran.
Theatrical Release:Apr 13, 2001 Limited
Synopsis: Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran--a place where women are restricted by numerous laws, including a repressive dress code, and can only... Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran--a place where women are restricted by numerous laws, including a repressive dress code, and can only travel accompanied by a man. The beginning of the film focuses on two women, Arezou (Mariam Palvin Almani) and Nargess (Nargess Mamizadeh), who have been given temporary leave from prison and have no intension of returning. They attempt to flee to Nargess's hometown, which she claims is as beautiful as a Van Gogh painting, but are deterred by police. Meanwhile, their friend Pari (Fereshteh Sadr Orfani), who has just escaped from jail, is pregnant and needs an abortion. Panahi's lens continues to shift from one woman to another as this eye-opening tale circles back on itself. More serious in tone than the director's brilliant, lighthearted debut, THE WHITE BALLOON, THE CIRCLE shares many of its technical and narrative flourishes, making it another example of Iranian cinema at its best and most politically aware. [More]
Starring: Fereshteh Sadr Orafai, Mariam Palvin Almani, Nargess Mamizadeh, Elham Saboktakin
Starring: Fereshteh Sadr Orafai, Mariam Palvin Almani, Nargess Mamizadeh, Elham Saboktakin, Monir Arab, Fatemeh Naghavi, Mojgan Faramarzi
Director: Jafar Panahi
Director: Jafar Panahi
Screenwriter: Kambozia Partovia, Jafar Panahi
Producer: Jafar Panahi
Studio: Winstar
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Reviews for The Circle
By making these characters symbols rather than fleshed-out individuals ... Panahi limits the political as well as dramatic effectiveness of The Circle.
Gives some quick, powerful impressions of the Iranian woman's plight, but much less than if it had paused to tell a few stories thoroughly.
| Tomatometer Percentage | Movie |
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| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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