An impressive piece of work, especially considering it was made in a barren artistic climate overseen by a censorious government.
The Circle (2001)
Tomatometer
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Reviews Counted:58
Fresh:54
Rotten:4
Average Rating:7.7/10
Consensus: Bleak, yet powerful, The Circle offers a searing indictment of the oppressive conditions experienced by women in Iran.
Theatrical Release:Apr 13, 2001 Limited
Synopsis: Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran--a place where women are restricted by numerous laws, including a repressive dress code, and can only... Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran--a place where women are restricted by numerous laws, including a repressive dress code, and can only travel accompanied by a man. The beginning of the film focuses on two women, Arezou (Mariam Palvin Almani) and Nargess (Nargess Mamizadeh), who have been given temporary leave from prison and have no intension of returning. They attempt to flee to Nargess's hometown, which she claims is as beautiful as a Van Gogh painting, but are deterred by police. Meanwhile, their friend Pari (Fereshteh Sadr Orfani), who has just escaped from jail, is pregnant and needs an abortion. Panahi's lens continues to shift from one woman to another as this eye-opening tale circles back on itself. More serious in tone than the director's brilliant, lighthearted debut, THE WHITE BALLOON, THE CIRCLE shares many of its technical and narrative flourishes, making it another example of Iranian cinema at its best and most politically aware. [More]
Starring: Fereshteh Sadr Orafai, Mariam Palvin Almani, Nargess Mamizadeh, Elham Saboktakin
Starring: Fereshteh Sadr Orafai, Mariam Palvin Almani, Nargess Mamizadeh, Elham Saboktakin, Monir Arab, Fatemeh Naghavi, Mojgan Faramarzi
Director: Jafar Panahi
Director: Jafar Panahi
Screenwriter: Kambozia Partovia, Jafar Panahi
Producer: Jafar Panahi
Studio: Winstar
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Reviews for The Circle
A deeply felt, fascinating work that's dramatically resonant as well as politically important.
The deceptively simple story leads up to an exceptionally powerful ending that will have you mulling it over for days.
A tragic film from start to finish, but equally undeniable is the endless stoicism displayed by the women, and Panahi's crisp, meandering direction.
Just like Tomb Raider, it is fiction. It just unfortunately comes a lot closer than the American film to the truth of how its female characters live.
A memorable and devastating indictment of the oppression facing many women in Iran.
In its brisk way, it's a devastating piece of work, and very brave too.
Profoundly dangerous to the status quo in Iran because it asks us to identify with the plight of women who have done nothing wrong except to be female.
The world it shows is both mysterious and full of menace -- yet as real as the world outside the theater.
Few who make it through ... The Circle will forget the experience, or argue the film's power.
While The Circle certainly paints a bleak portrait, there's a grace and beauty to the filmmaking that transform this crushingly sad tale into a work of revelatory art.
... a powerful statement about the oppression of women in Iran (banned within its own country), yet also celebrates their sisterhood
Alarmingly deft at exposing political and religious extremism for what it is.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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