A low-budget, deceptively minimalist drama that delivers big.
L.I.E. (2001)
Tomatometer
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Reviews Counted:82
Fresh:68
Rotten:14
Average Rating:7/10
Consensus: L.I.E. is a well-acted and unsettling look at a boy’s relationship with a pedophile.
Theatrical Release:Sep 7, 2001 Limited
Synopsis: The Long Island Expressway, the highway that traverses suburban Long Island with its "lanes moving east, lanes moving west, and lanes that go straight to hell" serves as the central metaphor in... The Long Island Expressway, the highway that traverses suburban Long Island with its "lanes moving east, lanes moving west, and lanes that go straight to hell" serves as the central metaphor in this disturbing meditation on coming of age and teenage vulnerability. Howie Blitzer (Paul Franklin Dano) is a sensitive fifteen-year-old who runs with a rough crowd. The recent death of his mother (in a car accident on exit 52 of the L.I.E.) and his father's indifference to it, have left him floating in a world bubbling over with sex, violence, and danger. When his best friend Gary convinces Howie to burglarize the house of their neighbor, 60-year-old Big John (Brian Cox), the tenuous balance of their teenage existence is entirely thrown off. To make matters even worse, Howie's father is arrested over a bad business deal. Howie is left dangling, and only Big John seems to care. A harrowing mixture of tenderness and perversion electrifies the father-son relationship that forms between Howie and Big John. Director Michael Cuesta's touching vision of domestic life in modern-day suburbia is at once humorous and unnerving as it boldly charts one boy's convoluded path through adolescence. [More]
Starring: Brian Cox, Paul Dano, Billy Kay, Bruce Altman
Starring: Brian Cox, Paul Dano, Billy Kay, Bruce Altman, James Costa, Tony Donnelly, Walter Masterson, Marcia DeBonis, Adam LeFevre
Director: Michael Cuesta
Director: Michael Cuesta
Screenwriter: Stephen Ryder, Michael Cuesta, Gerald Cuesta
Producer: René Bastian, Linda Moran, Michael Cuesta
Composer: Pierre Foldes
Studio: Lot 47 Films
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Reviews for L.I.E.
Right in the center, it explodes with a powerful life force in actor Brian Cox, who saves the film and makes it worth seeing.
Strong story telling, character development and acting, off-putting subject matter.
If you're open-minded and adventurous in your moviegoing, and if you can handle a disturbing but major performance, then by all means see it.
I kept wondering why I was watching these people, and an answer was never forthcoming.
Cox plays the boy-fancier, orange muscle car and all, with a brilliance you have to see to believe.
This strangely compelling story shows us that we can never write off any human being as worthless or abominable.
It's a fiercely compelling tale, the acting is among the year's best, so I wish Cuesta had been content to leave it at that.
What makes L.I.E. so compelling and disturbing is that in Cox's capable hands, we discover a human being inside the beast.
Thoughtful, thought-provoking, and refreshingly free of the dim-witted pandering that is endemic to coming-of-age films.
What makes L.I.E an especially arresting indie film is that it keeps pulling the rug out from under you in terms of where it's heading.
Ultimately offers little satisfaction outside of the strong performances.
Its director, Michael Cuesta, has the stubborn curiosity of an artist who won't settle for formulas but is intrigued by the secrets and mysteries of his characters.
Latest News for L.I.E.
March 02, 2006:
Dimension Wants to Make You "Shiver"
Director Michael Cuesta ("L.I.E.," "Twelve and Holding") has been tapped by Dimension to helm a New Year's Eve chiller entitled "Shiver," which is... More...
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