What makes L.I.E an especially arresting indie film is that it keeps pulling the rug out from under you in terms of where it's heading.
L.I.E. (2001)
Tomatometer
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Reviews Counted:82
Fresh:68
Rotten:14
Average Rating:7/10
Consensus: L.I.E. is a well-acted and unsettling look at a boy’s relationship with a pedophile.
Theatrical Release:Sep 7, 2001 Limited
Synopsis: The Long Island Expressway, the highway that traverses suburban Long Island with its "lanes moving east, lanes moving west, and lanes that go straight to hell" serves as the central metaphor in... The Long Island Expressway, the highway that traverses suburban Long Island with its "lanes moving east, lanes moving west, and lanes that go straight to hell" serves as the central metaphor in this disturbing meditation on coming of age and teenage vulnerability. Howie Blitzer (Paul Franklin Dano) is a sensitive fifteen-year-old who runs with a rough crowd. The recent death of his mother (in a car accident on exit 52 of the L.I.E.) and his father's indifference to it, have left him floating in a world bubbling over with sex, violence, and danger. When his best friend Gary convinces Howie to burglarize the house of their neighbor, 60-year-old Big John (Brian Cox), the tenuous balance of their teenage existence is entirely thrown off. To make matters even worse, Howie's father is arrested over a bad business deal. Howie is left dangling, and only Big John seems to care. A harrowing mixture of tenderness and perversion electrifies the father-son relationship that forms between Howie and Big John. Director Michael Cuesta's touching vision of domestic life in modern-day suburbia is at once humorous and unnerving as it boldly charts one boy's convoluded path through adolescence. [More]
Starring: Brian Cox, Paul Dano, Billy Kay, Bruce Altman
Starring: Brian Cox, Paul Dano, Billy Kay, Bruce Altman, James Costa, Tony Donnelly, Walter Masterson, Marcia DeBonis, Adam LeFevre
Director: Michael Cuesta
Director: Michael Cuesta
Screenwriter: Stephen Ryder, Michael Cuesta, Gerald Cuesta
Producer: René Bastian, Linda Moran, Michael Cuesta
Composer: Pierre Foldes
Studio: Lot 47 Films
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Reviews for L.I.E.
Those of you brave and lucky enough to see L.I.E. will be treated to Cox's terrific performance.
Almost a model of what's best in American independent cinema... provocative but not exploitative, moving but not maudlin.
A thoughtful, compassionate portrait of characters trapped in appalling interior circumstances.
This dystopic suburban teen's eye view of that journey to difficult adulthood, redefines the notion of road movie as inner road rage in enormous, chilling ways.
L.I.E.'s best moments represent the kind of bold artistic vision too frequently lacking in today's independent cinema.
Would have worked best as a half-hour short film about Howie's ill-advised foray into Big John's haven.
An incisive portrait of people traveling east and west and straight to hell.
Prepubescent homoeroticism and loveable pederasty highlight this preposterous and pointless provocation.
At its best, L.I.E. ... offers a rich, dark, bitter slice of contemporary life. But the film's arty embellishments undermine its bleak vision, making it, in the end, a little too easy to take.
Anyone with an eye for well-made, well-acted, emotionally powerful films will certainly find it worth watching.
Latest News for L.I.E.
March 02, 2006:
Dimension Wants to Make You "Shiver"
Director Michael Cuesta ("L.I.E.," "Twelve and Holding") has been tapped by Dimension to helm a New Year's Eve chiller entitled "Shiver," which is... More...
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