Mr. Parker has brilliantly updated his source and grasped its essence, composing a sorrowful and hilarious tone poem about alienated labor, or an absurdist workplace sitcom.
Bartleby (2002)
Tomatometer
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Reviews Counted:54
Fresh:19
Rotten:35
Average Rating:5.1/10
Consensus: Bartleby is a rather dull affair, stretched over a too-long running time.
Synopsis: Former musician Jonathan Parker makes his feature film directorial debut with a modern retelling of the Herman Melville classic, BARTLEBY THE SCRIVENER. The off-kilter comedy follows the boss of a... Former musician Jonathan Parker makes his feature film directorial debut with a modern retelling of the Herman Melville classic, BARTLEBY THE SCRIVENER. The off-kilter comedy follows the boss of a public records company (played by David Paymer), whose life slowly begins to unravel when he hires a new employee. The quiet and reserved clerk, Bartleby (Crispin Glover), is at first a welcome addition to the office, especially when compared to the distracting presences of sultry secretary Vivian (Glenne Headly), macho Rocky (Joe Piscopo), and whiny Ernie (Maury Chaykin). But when the boss's requests for Bartleby to perform any tasks other than filing, his enigmatic replies of, "I would prefer not to," begin to test everyone's patience. The situation becomes more troubling when the boss learns that Bartleby has, in fact, begun to sleep in the office. Fed up with his inability to perform the simplest of tasks, he fires Bartleby, who remains in the office nonetheless. Finally, the boss moves locations in order to break free from the mysterious void of a man, who has formed a strange attachment to the building. This doesn't provide a refuge from Bartleby's presence, however, which continues to haunt him at every waking moment. A colorful and quirky tale, BARTLEBY features another bizarre performance from the always-eccentric Glover. [More]
Starring: Crispin Glover, David Paymer, Glenne Headly, Joe Piscopo
Starring: Crispin Glover, David Paymer, Glenne Headly, Joe Piscopo, Maury Chaykin, Seymour Cassel, Carrie Snodgress
Director: Jonathan Parker
Director: Jonathan Parker
Screenwriter: Jonathan Parker, Catherine di Napoli
Story: Herman Melville
Producer: Jonathan Parker
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Reviews for Bartleby
Though this film can be clumsy, its ambitions are equally -- and admirably -- uncommercial.
Quirky and understated office comedy with Crispin Glover as the guy who would prefer not to work, but likes to hang around.
While Parker and co-writer Catherine di Napoli are faithful to Melville’s plotline, they and a fully engaged supporting cast ... have made the old boy’s characters more quick-witted than any English Lit major would have thought possible.
Director Jonathan Parker gets points simply for trying to tackle the writings of Herman Melville.
Glover is perfect for the role, and Paymer lends a strange, almost addictive voice to his character’s vocal style.
It's nice to see Piscopo again after all these years, and Chaykin and Headly are priceless.
With a small budget and a brilliant team, director/co-writer Jonathan Parker has brought new relevance to Bartleby's revolt, and converted an office sitcom format into a damning critique of the way many people spend their days.
As satisfyingly odd and intriguing a tale as it was a century and a half ago...has a delightfully dour, deadpan tone and stylistic consistency.
Is office work really as alienating as 'Bartleby' so effectively makes it?
Paymer and Glover are terrific as the perplexed boss and the laconic non-performing employee.
Funny, somber, absurd, and, finally, achingly sad, Bartleby is a fine, understated piece of filmmaking.
A much more successful translation than its most famous previous film adaptation, writer-director Anthony Friedman's similarly updated 1970 British production.
This is a shrewd and effective film from a director who understands how to create and sustain a mood.
Melville is often favored for his troubled heroes on their obsessive, nihilistic journeys into the abyss. Of course this kind of thing can be easy to screw up on film, as Parker has done here.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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