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Brother (2001)
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Reviews Counted:70
Fresh:32
Rotten:38
Average Rating:5/10
Consensus: There is too much hollow bloodshed in Brother, and the characters are stereotypically flat.
Rated: R [See Full Rating] for pervasive strong violence, language and brief nudity
Runtime: 1 hr 53 mins
Genre: Action/Adventure
Theatrical Release:Jul 20, 2001 Limited
Synopsis:
Abandoned by the brotherhood of his yakuza clan, tough guy Yamamoto (Beat Takeshi) is forced to leave Tokyo. He goes to Los Angeles in search of Ken (Claude Maki), his younger half-brother. Alone...
Abandoned by the brotherhood of his yakuza clan, tough guy Yamamoto (Beat Takeshi) is forced to leave Tokyo. He goes to Los Angeles in search of Ken (Claude Maki), his younger half-brother. Alone and with a new identity, Yamamoto finds himself frustrated by foreign surroundings, especially since he doesn't speak the language.
Yamamoto eventually tracks down Ken, who turns out to be a likable small-time drug dealer. When Ken introduces his older "aniki" to his home boys, Yamamoto is surprised to find that one of them is Denny (Omar Epps), an African-American guy with whom he had a violent run-in on his first day in Los Angeles. Despite initial suspicions and hostilities, an unexpected bond begins to develop between Denny and Yamamoto.
Much to his surprise, Yamamoto finds himself quickly back into the routine violence of his old Tokyo life. He efficiently and sardonically bumps off Ken's supplier and entire Chicano gang to take over their turf.
Before long, Yamamoto's gang grows in number. Business flourishes, money flows. Yamamoto and his boys now wear expensive suits, cruise in limousines and work out of classy loft offices. As success breeds jealousy, Yamamoto joins forces with young rival Japanese crime lord Shirase (Masaya Kato).
When the Japanese gang refuses to bow down to the Mafia, Yamamoto realizes there's no turning back. It's an all-out war without sanctuary for anyone. As things heat up, Yamamoto learns that only Denny has really caught on to the yakuza code of brotherhood... -- © 2001 Sony Picture Classics
Starring: Takeshi Kitano, Omar Epps, Tatyana Ali, Ryo Ishibashi
Starring: Takeshi Kitano, Omar Epps, Tatyana Ali, Ryo Ishibashi, Antwon Tanner, Susuma Terajima, Tetsuya Watari, James Shigeta, Masaya Kato, Claude Maki
Director: Takeshi Kitano
Director: Takeshi Kitano
Screenwriter: Takeshi Kitano
Producer: Jeremy Thomas, Masayuki Mori
Composer: Joe Hisaishi
Studio: Sony Pictures Classics
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Reviews for Brother
The movie comes across as a confusing mess, lacking in substance and entirely missing its goal.
Brother's attempt to romanticize crime finally collapses under its own weight.
Loud, direct, and uncompromised, Brother is raw red meat in an age of cinematic tofu.
Singularly unexciting for an action film, and working up enthusiasm for it is difficult.
Though Kitano is no Kurosawa, they're using the same brushes on similar canvasses, and that comparison in itself makes Brother one of the year's best films.
It's rougher stuff than most would expect, though not unrewarding in its own horrific way.
[Takeshi's] both interesting (like waiting for a bomb to go off) and fiercely dull, as if acting were something he had vaguely considered, then rejected as useless.
Kitano's most enjoyable, flat-out fun movie, provided you can stomach the violence.
Once you've seen one self-evisceration, one head blown off, one spasming body plugged full of lead, you've seen 'em all.
As an actor and writer-director, Mr. Kitano projects an amused irony that makes his films worth seeing.
Kitano has a gift for framing and staying with a scene, and his editing choices are impeccable.
Marks Takeshi's ninth film as director and his American filmmaking debut, but it still registers as one of his own, personal -- and very Japanese -- films.
Just how many acts of self-inflicted finger amputations do I really want to see?
Likely to frustrate viewers not alienated or put off by all of the violent material in the first place.
Kitano presents all this mayhem in crisp and cool camera work that distances it and keeps it from becoming oppressive.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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