Aoyama needs to put the editing into other hands.
Eureka (2001)
Tomatometer
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Reviews Counted:42
Fresh:38
Rotten:4
Average Rating:7.2/10
Consensus: With its subtitles and a running time nearing four hours, Eureka certainly places demands upon its viewers. For those with the patience, however, this visually lovely film builds to an emotionally resonant vision of transcendence.
Rated: Not Rated
Genre: Dramas
Theatrical Release:May 4, 2001 Limited
Synopsis: Following a deadly bus hijacking in southwest Japan, the three survivors--Makato (Koji Yakusho), the bus driver; Kozue (Aoi Miyazaki), a young girl; and Naoki (Masaru Miyazaki), her older... Following a deadly bus hijacking in southwest Japan, the three survivors--Makato (Koji Yakusho), the bus driver; Kozue (Aoi Miyazaki), a young girl; and Naoki (Masaru Miyazaki), her older brother--find further tragedy in their personal lives. When the traumatized Makato eventually contacts Kozue and Naoki two years later, he moves into their home and becomes a father figure for the two children, who have stopped speaking. The trio are then joined by Akihiko (Yohichiroh Saitoh), Kozue and Naoki's college student cousin, and together this odd surrogate family embarks on a road trip across Japan. However, a string of murders appears to be following them and threatens to permanently disrupt their quest to regain normal lives. Clocking in at more than three and a half hours, Shinji Aoyama's EUREKA is a daunting film that rewards patient viewers with an utterly unique and moving cinematic experience. Shot in black and white with a sepia tone, the movie features breathtaking photography by Masaki Tamra. In part an ode to John Ford's THE SEARCHERS, EUREKA features an outstanding performance by Yakusho in the John Wayne-like leading role. [More]
Starring: Koji Yakusho, Yoshiko Miyazaki, Aoi Miyazaki, Yohichiroh Saitoh
Starring: Koji Yakusho, Yoshiko Miyazaki, Aoi Miyazaki, Yohichiroh Saitoh
Director: Shinji Aoyama
Director: Shinji Aoyama
Studio: The Shooting Gallery
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Reviews for Eureka
Not always dramatically satisfying but fascinating and mesmerizing to watch.
It makes one believe that intimate human connections are possible, that empathy is worth struggling for.
The delight and the exasperation of Eureka come from the same source: its willingness to take its time and explore every detour.
While director Shinji Aoyama's style is understated, meditative and deliberate, he manages to grab the viewer from the very beginning, and rarely lets go.
Beautiful film. The length of this may frighten people away but it shouldn't, this suspends time.
Events and characters point in familiar directions, but Eureka is rarely familiar.
Patient viewers will find ample rewards in its 217 minutes of eloquently filmed cinema.
Begins to develop a peculiar power that draws you gradually into the shattered psyches of Makoto, the bus driver, and the two children.
A film of quiet intensity, employing simple techniques to build, gradually but inexorably, considerable impact.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 100% 100% | Daybreakers | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
| | The Spy Next Door | 1/15 |
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