In this unusual romantic drama, Sharon and Catch are lifelines for each other. Both of them are trying to come to terms with loss.
Angel Eyes (2001)
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Reviews Counted:121
Fresh:38
Rotten:83
Average Rating:4.7/10
Consensus: Though the earlier part of the movie suggested something more, the movie turns out to be nothing more than a schmaltzy romance.
Rated: R [See Full Rating] for language, violence and a scene of sexuality
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:May 18, 2001 Wide
Box Office: $23,761,243
Synopsis:
"Angel Eyes" is a story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once,...
"Angel Eyes" is a story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once, but twice.
Sharon's dedication to her job does little to compensate for the fact that she has no personal life. She has been estranged from her family for many years. Disconnected from them and from life in general, Sharon fills her days with work and her nights with her private regrets.
Somewhere in the same neighborhood a man who goes by the name of Catch is living his own half-life. A strange, haunted soul who sleeps in an empty apartment, he spends his days dispensing little gifts of goodwill to anyone in need. If it starts to rain and he notices a car window open, Catch will roll it up; if a stranger passes by, Catch will offer a smile. Twice a week he delivers groceries to a disabled woman named Elanora Davis (Shirley Knight). He and Elanora exchange the same light banter every time he stops by but she has learned not to ask him the kinds of questions he doesn't want to answer.
To most people who encounter him, Catch is an odd but harmless figure. To some, he appears dangerous, suspiciousÖthey wonder what he is up to. But Catch is indifferent to the reactions he elicits. He moves through the landscape in a kind of existential daze, performing his services automatically as though this is the only thing he was meant to do. Yet he seems to derive no real pleasure from it.
Like Sharon, Catch has no personal life.
When Sharon learns that her parents, Josephine (Sonia Braga) and Carl (Victor Argo) are planning a big party to celebrate the renewal of their wedding vows and she has not been invited, she reaches a crisis. At the same time, Sharon's investigations into her new lover's background bring up issues for him that he would do anything to avoid - even if it means never seeing her again.
After years of dealing with their pain in the only way they knew how, Sharon and Catch must make some difficult decisions and risk losing each other if they are going to move forward and reclaim their lives. -- © 2001 Warner Bros.
Starring: Jennifer Lopez, James Caviezel, Sonia Braga, Terrence Howard
Starring: Jennifer Lopez, James Caviezel, Sonia Braga, Terrence Howard, Jeremy Sisto, Victor Argo, Shirley Knight, Monet Mazur
Director: Luis Mandoki
Director: Luis Mandoki
Screenwriter: Gerald DiPego, Michael Seitzman
Producer: Mark Canton, Elie Samaha
Composer: Marco Beltrami
Studio: Warner Bros.
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Reviews for Angel Eyes
This is all about getting your life back on course before you can fall in love. Which isn't such a bad idea for a movie, as long as there's something more. Unfortunately, there isn't.
There are such things as gender-specific films. These are movies that one gender or sexual preference will uniformly love while the other(s) gag or quickly walk out. This is one of those.
Watching Angel Eyes is akin to listening to a confessional that's long, repetitive and rambling.
Di Pego’s script either bores us with long stretches where nothing happens or leaves us shaking our heads in disbelief at its rank inanity.
You can feel your heart not just being pulled, but being flush-pumped by a sentimental cardiologist.
On the heels of parts in Frequency and Play it Forward, [Caviezel] just exudes otherworldliness. This sends the physics of this romantic melodrama into the Twilight Zone from whence it never returns.
More engrossing than it ought to be, given its slim story line and subdued moodiness.
A unique and striking film for at least the first two-thirds of its running time, after which it turns, all too sadly, predictable and mundane.
The movie, a cumbersome dud, grows draggier with each new revelation.
Angel Eyes is high-concept schmaltz, full of short cuts to emotion laid over chasms of improbability.
A lot like Caviezel's earlier and popular flick Frequency. It may not be great moviemaking, but it does work.
Jennifer Lopez proves that her allure and talent can carry a complex mystery love story. We were delighted, surprised, and impressed.
An emotionally layered, grown-up drama about two battered souls finding a blossoming but tentative solace together.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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