An absolute pleasure from start to finish.
The Score (2001)
Tomatometer
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Reviews Counted:126
Fresh:93
Rotten:33
Average Rating:6.5/10
Consensus: Though the movie treads familar ground in the heist/caper genre, DeNiro, Norton, and Brando make the movie worth watching.
Theatrical Release:Jul 13, 2001 Wide
Box Office: $70,307,038
Synopsis: Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot... Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot jobs until his longtime partner, Max (Marlon Brando), offers him the big score--to filch a priceless scepter from the Montreal customs house. Wary about the job, Nick and the hotheaded customs house "insider," Jackie (Edward Norton), begin to dissect the elaborate details of entering the building, avoiding the security measures, blowing the safe, and escaping with the scepter. But as in every thrilling crime caper, plans go awry. Skilled comic director Frank Oz is clearly comfortable working with the best method actors from the past three generations. Brando's Max bursts with joyful cynicism, while De Niro is Brando's perfect foil, so collected that every smile seems like a revelation. Norton's Jackie is far more expressive, but it is Norton's smallest movements--holding a gaze a half beat too long--that hint at the secret motives pulsing beneath his skin. Smooth like the scotch Nick likes to drink, and swirling with tension, THE SCORE provides the real payoff to the audience. [More]
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold, Angela Bassett
Director: Frank Oz
Director: Frank Oz
Screenwriter: Kario Salem
Producer: Gary Foster, Lee Rich
Screenwriter: Kario Salem, Lem Dobbs, Scott Marshall Smith
Studio: Paramount Pictures
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Reviews for The Score
The patient and meticulous Oz discards the camera tricks and MTV-style quick cuts that allow directors like Dominic Sena and Simon West to have careers, relying solely on a well-thought-out script.
Even working with actors of such stature, Oz's methodical direction covers the bases but never really allows us to lose ourselves in the world he creates.
A movie which gets the job done as simply, efficiently and intelligently as possible.
A droning, high-toned little heist picture with no dash and no raison d'être.
Like The Score itself, there are moments when we get a little lost, when we even get dull for a while. But if approached right, growing older can leave us feeling invigorated. Just like The Score.
Decent and generally enjoyable but ultimately nothing overly special.
The movie is so determinedly low-key that after a while it sits on the screen like a layout from Architectural Digest. Even the actors seem dimmed.
Fans of first-rate acting won't want to miss The Score. Everything else in the film is gravy.
When Norton and De Niro aren't firing away on the screen together like machines, The Score rapidly falls into a 'been there, done that' coma.
The film has a very long buildup for what turns out to be rather pedestrian robbery. It is the scenes among De Niro, Brando and Norton that are the most interesting.
Spends so much time establishing a shadowy, jazzy neo-noir tone that the details of the heist are slighted and much of the excitement drains away.
A snappy little heist movie with acting performances both deft and brilliant.
It is the human spectacle of three of America's finest screen actors passing on their wisdom and gifts from one generation to the next that lends this movie a self-reflexive glow and lifts it above the clichés on which it is constructed.
A spiritless, unimaginative exercise in professionalism for its own sake.
Frank Oz keeps the suspense taut and doesn't have to resort to gratuitous violence to get our adrenaline going.
Latest News for The Score
June 05, 2001:
Apparently Brando had to lose fifty pounds for this role. ![]()
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June 05, 2001:
Three Method men go head to head to head. Somebody call James Lipton! ![]()
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June 05, 2001:
What do you get when you combine three of the most respected (and feared) actors of their respective generations? A very confident director. ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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