Its single-mindedness still makes for a refreshing change from the preposterous bloat of most contemporary action movies.
The Score (2001)
Tomatometer
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Reviews Counted:126
Fresh:93
Rotten:33
Average Rating:6.5/10
Consensus: Though the movie treads familar ground in the heist/caper genre, DeNiro, Norton, and Brando make the movie worth watching.
Theatrical Release:Jul 13, 2001 Wide
Box Office: $70,307,038
Synopsis: Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot... Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot jobs until his longtime partner, Max (Marlon Brando), offers him the big score--to filch a priceless scepter from the Montreal customs house. Wary about the job, Nick and the hotheaded customs house "insider," Jackie (Edward Norton), begin to dissect the elaborate details of entering the building, avoiding the security measures, blowing the safe, and escaping with the scepter. But as in every thrilling crime caper, plans go awry. Skilled comic director Frank Oz is clearly comfortable working with the best method actors from the past three generations. Brando's Max bursts with joyful cynicism, while De Niro is Brando's perfect foil, so collected that every smile seems like a revelation. Norton's Jackie is far more expressive, but it is Norton's smallest movements--holding a gaze a half beat too long--that hint at the secret motives pulsing beneath his skin. Smooth like the scotch Nick likes to drink, and swirling with tension, THE SCORE provides the real payoff to the audience. [More]
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold, Angela Bassett
Director: Frank Oz
Director: Frank Oz
Screenwriter: Kario Salem
Producer: Gary Foster, Lee Rich
Screenwriter: Kario Salem, Lem Dobbs, Scott Marshall Smith
Studio: Paramount Pictures
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Reviews for The Score
The Score has its requisite plot twists and they're dandies. What really makes The Score a must-see film are the three central performances.
Alternating on trumpet and tenor sax, Norton does some terrific solos. De Niro is the ace drummer providing rhythmic backbone, and Brando tickles out gorgeous filigrees on piano.
A taut, suspenseful heist flick that'll keep you on the edge of your seat.
Oz allows both stars more time than they deserve to flesh out their characters. Still, it's fascinating to watch these two superb actors in highly detailed turns.
One of the smartest pieces of filmmaking to come from a major studio this year.
After sitting through such sloppy and reckless high-concept heist films as Mission: Impossible and Entrapment, it's refreshing to witness the careful, methodical attention to details that distinguishes The Score.
Strictly by the numbers -- you can almost hear all four screenwriters counting off the obligatory plot points one by one.
Nobody's going to think of The Score as trail-blazing, but there's nothing small-time about its dramatic and acting payoff.
Got class and smarts that put recent bombastic heist flicks such as Swordfish and 3000 Miles to Graceland to shame.
The results are admirable and entertaining if a little underwhelming; the cumulative star power isn't as impressive as might have been expected.
A fun, simply directed heist picture that's smart enough, darkly stylish enough and suspenseful enough to keep you very satisfied.
The problem with this film is the script. It's entirely conventional, and in fact a little boring, but it's in fact worth it to see De Niro and Brando in the same room together.
Latest News for The Score
June 05, 2001:
Apparently Brando had to lose fifty pounds for this role. ![]()
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June 05, 2001:
Three Method men go head to head to head. Somebody call James Lipton! ![]()
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June 05, 2001:
What do you get when you combine three of the most respected (and feared) actors of their respective generations? A very confident director. ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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