Plays like a slow motion version of Entrapement with De Niro attempting a geriatric rendition of Catherine Zeta-Jones.
The Score (2001)
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Reviews Counted:126
Fresh:93
Rotten:33
Average Rating:6.5/10
Consensus: Though the movie treads familar ground in the heist/caper genre, DeNiro, Norton, and Brando make the movie worth watching.
Theatrical Release:Jul 13, 2001 Wide
Box Office: $70,307,038
Synopsis: Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot... Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot jobs until his longtime partner, Max (Marlon Brando), offers him the big score--to filch a priceless scepter from the Montreal customs house. Wary about the job, Nick and the hotheaded customs house "insider," Jackie (Edward Norton), begin to dissect the elaborate details of entering the building, avoiding the security measures, blowing the safe, and escaping with the scepter. But as in every thrilling crime caper, plans go awry. Skilled comic director Frank Oz is clearly comfortable working with the best method actors from the past three generations. Brando's Max bursts with joyful cynicism, while De Niro is Brando's perfect foil, so collected that every smile seems like a revelation. Norton's Jackie is far more expressive, but it is Norton's smallest movements--holding a gaze a half beat too long--that hint at the secret motives pulsing beneath his skin. Smooth like the scotch Nick likes to drink, and swirling with tension, THE SCORE provides the real payoff to the audience. [More]
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold, Angela Bassett
Director: Frank Oz
Director: Frank Oz
Screenwriter: Kario Salem
Producer: Gary Foster, Lee Rich
Screenwriter: Kario Salem, Lem Dobbs, Scott Marshall Smith
Studio: Paramount Pictures
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Reviews for The Score
From it's opening sequence to the film's conclusion -- The Score played out with an intelligent and understated grace.
The Score manages to pull off a feat seen so rarely in cinema today: It makes you forget you're watching a movie.
With the talent involved, "The Score" promises to be a worthy caper flick. Instead, it robs viewers of two hours and the cost of a ticket.
Offers little more than a strange combination of heist-flick clichés and cop-flick clichés.
Let down by a tepid script, plodding direction and--amazingly, in view of the talent involved--indifferent acting; this isn't a winning 'Score.'
There's nothing you can't see coming in this flick, including the surprise ending.
Attends to its heist-thriller obligations with needless solemnity and a studious lack of imagination.
The immensely charismatic and ballsy Norton and De Niro could have been playing scrabble the whole time, and it would still be nearly impossible to take your eyes off them.
Latest News for The Score
June 05, 2001:
Apparently Brando had to lose fifty pounds for this role. ![]()
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June 05, 2001:
Three Method men go head to head to head. Somebody call James Lipton! ![]()
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June 05, 2001:
What do you get when you combine three of the most respected (and feared) actors of their respective generations? A very confident director. ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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