The clever twist almost works to dismiss the tough wait it takes to get to the ending.
The Others (2001)
Tomatometer
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Reviews Counted:146
Fresh:122
Rotten:24
Average Rating:7.2/10
Consensus: The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy.
Rated: PG-13 [See Full Rating] for thematic elements and frightening moments
Runtime: 1 hr 44 mins
Genre: Horror/Suspense
Theatrical Release:Aug 10, 2001 Wide
Box Office: $96,080,075
Synopsis: THE OTHERS begins with a close-up of a woman screaming. By the time this intense film ends, everyone watching it will be screaming and gasping. Nicole Kidman stars as Grace, a woman raising two... THE OTHERS begins with a close-up of a woman screaming. By the time this intense film ends, everyone watching it will be screaming and gasping. Nicole Kidman stars as Grace, a woman raising two children by herself in a creepy mansion. World War II is over, but Grace's husband never returned. Meanwhile, the two children, Anne and Nicholas, must constantly stay in the dark because they are deathly allergic to light. Then one day three people show up to take over for Grace's disappeared staff, and trouble starts to brew. The odd trio--an aging nanny, an elderly gardener, and a young mute girl--seems to have a slightly different agenda than Grace and the children do. But when Anne starts talking to strange, unseen people, the scares start building to an incredible climax. Alejandro Amenábar's highly stylized English-language debut is one of the better haunted-house films of the past few years. Not only did Amenábar write and direct the film but he composed the eerie music as well. Nicole Kidman is outstanding as the overprotective mother trying to save her children, while Fionnula Flanagan excels as the nanny with a deep, dark secret. Because the children must remain in darkness, Grace must lock every door behind her, to make sure that the children don't accidentally enter a brightly lit room; it is a marvelous horror-film device that Amenábar uses to perfection. [More]
Starring: Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy
Starring: Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy, Eric Sykes, Kames Bentley, Renée Asherson, Alakina Mann, Andrew Wagner
Director: Alejandro Amenábar
Director: Alejandro Amenábar
Screenwriter: Alejandro Amenábar
Composer: Alejandro Amenábar
Studio: Dimension Films
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Release:
May 14, 2002
Reviews for The Others
Creepy-verging -on-campy thriller with a great payoff, but a lot of broken promise.
While most horror movies aim for the stomach, The Others is made to tingle the spine.
Amenábar expertly lays on the atmosphere and suspense, guiding the action ever-so-subtly until it raises the hairs on the back of your neck.
A delicious little ghost story that takes place within the confines of a single haunted house and recalls such minimalist classics of the genre as The Innocents and the original version of The Haunting.
What it lacks in slick computer graphics is more than made up for in creepy dramatic cliches.
Los Otros representa un nuevo clásico del género, y el tiempo seguramente le dará el justo lugar que merece.
It's atmospheric, stylish, and spooky. The plot is well thought-out and its secrets and mysteries are unveiled slowly. Unfortunately, it is also cold, distancing, and moves at a glacial pace.
The Others is a modern horror film with an old-fashioned touch, relying on suggestion and suspense to generate fear.
The Others...would be unshakably bone-chilling even if you blacked out everything on the screen except Nicole Kidman's porcelain face, her eyes frozen wide with fear.
Amenabar, a master of suspenseful pacing, takes his time allowing the layers of perception to be removed.
Eschewing the mayhem of most Hollywood horror stories, Alejandro Amenabar makes the fears of Grace and her children vivid and palpable.
The acting is fine all around. Kidman makes for a hair-raising neurotic, and the child actors give subtly nuanced performances.
It gives you a case of the creeps oh-so slowly, then hits you with a clever, mind-warping way of saying, 'Boo!'
Actually had me wrapped up in the progress of its story and the fate of its heroine.
in this elegantly crafted, chillingly effective tale, [everything] is significant. Nothing in the writing or directing is left to chance.
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