prioritizes human drama above horror-film gimmickry...
The Others (2001)
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Reviews Counted:146
Fresh:122
Rotten:24
Average Rating:7.2/10
Consensus: The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy.
Rated: PG-13 [See Full Rating] for thematic elements and frightening moments
Runtime: 1 hr 44 mins
Genre: Horror/Suspense
Theatrical Release:Aug 10, 2001 Wide
Box Office: $96,080,075
Synopsis: THE OTHERS begins with a close-up of a woman screaming. By the time this intense film ends, everyone watching it will be screaming and gasping. Nicole Kidman stars as Grace, a woman raising two... THE OTHERS begins with a close-up of a woman screaming. By the time this intense film ends, everyone watching it will be screaming and gasping. Nicole Kidman stars as Grace, a woman raising two children by herself in a creepy mansion. World War II is over, but Grace's husband never returned. Meanwhile, the two children, Anne and Nicholas, must constantly stay in the dark because they are deathly allergic to light. Then one day three people show up to take over for Grace's disappeared staff, and trouble starts to brew. The odd trio--an aging nanny, an elderly gardener, and a young mute girl--seems to have a slightly different agenda than Grace and the children do. But when Anne starts talking to strange, unseen people, the scares start building to an incredible climax. Alejandro Amenábar's highly stylized English-language debut is one of the better haunted-house films of the past few years. Not only did Amenábar write and direct the film but he composed the eerie music as well. Nicole Kidman is outstanding as the overprotective mother trying to save her children, while Fionnula Flanagan excels as the nanny with a deep, dark secret. Because the children must remain in darkness, Grace must lock every door behind her, to make sure that the children don't accidentally enter a brightly lit room; it is a marvelous horror-film device that Amenábar uses to perfection. [More]
Starring: Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy
Starring: Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy, Eric Sykes, Kames Bentley, Renée Asherson, Alakina Mann, Andrew Wagner
Director: Alejandro Amenábar
Director: Alejandro Amenábar
Screenwriter: Alejandro Amenábar
Composer: Alejandro Amenábar
Studio: Dimension Films
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Release:
May 14, 2002
Reviews for The Others
This one gives you all the requisite chills and thrills, and still manages to be about something.
It's that most rare of spookshows: a literate and mature ghost story that works on multiple levels simultaneously.
The Others, like its popular predecessors The Sixth Sense and The Usual Suspects, keeps us (here, literally) in the dark for the entire movie and then, just before everyone packs up to leave, throws a shocking curve our way making us rethink everything we
Amenábar racks up the tension to unbearable levels in a spooky shocker that's worthy of any comparison with M Night Shyamalan's The Sixth Sense.
Like a stranger following in the blackness of twilight, The Others creeps up on an audience when they least expect it and leaves them breathless and dreading. It’s a throwback to psychological terror films of yesteryear. There’s no blood or foresee
Kidman, who gave a fearless, generous performance in one of the year's other most original works, Moulin Rouge, proves equally adept here at the other end of the spectrum.
The low-key, handsomely photographed production drips with atmosphere and barely suggested menace.
The most sophisticated and satisfying ghost story on film since The Sixth Sense.
In drawing out his effects, Amenabar is a little too confident that style can substitute for substance.
It gives you a case of the creeps oh-so slowly, then hits you with a clever, mind-warping way of saying, 'Boo!'
Muitos filmes são capazes de provocar sustos; poucos, porém, conseguem causar arrepios como Os Outros.
Y es que no se trata de una cinta de terror o de miedo constante, y esa es la virtud obvia e inmediata: los temores son los propios, la elegante forma de...
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