A tremendous piece of work.
Invincible (2002)
Tomatometer
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Reviews Counted:51
Fresh:27
Rotten:24
Average Rating:5.8/10
Consensus: Sluggish and flawed, this is a minor work in Herzog's career.
Rated: PG-13 [See Full Rating] for some sexual content and thematic elements
Runtime: 2 hrs 15 mins
Genre: Foreign Films
Theatrical Release:Sep 20, 2002 Limited
Synopsis: Werner Herzog's first fiction film since 1984's WHERE THE GREEN ANTS DREAM, INVINCIBLE is based on the true story of Zishe Breitbart (Ahola), a Polish Jew from a humble shtetl who was touted as the... Werner Herzog's first fiction film since 1984's WHERE THE GREEN ANTS DREAM, INVINCIBLE is based on the true story of Zishe Breitbart (Ahola), a Polish Jew from a humble shtetl who was touted as the world's strongest man. Discovered at a traveling carnival and brought to Berlin to perform in a nightclub run by the self proclaimed clairvoyant Erik-Jan Hanussen (Roth), Zishe is forced to perform feats of strength on stage in a blonde wig under the name Siegfried in order to mollify the club's significant Nazi contingent. However, as the naive Zishe begins to see the danger the Nazis represent to his people, he declares his heritage on stage, outraging the secretly Jewish Hanussen and his Aryan audience. Populating his cast with mostly nonprofessional actors, including Jouko Ahola, a Finnish real life "strongest man" contest winner, Herzog takes what could have been a rousing sentimental biopic and turns it into a brooding cautionary tale about a character with mythic aspirations. Providing contrast are Tim Roth's scaly and charismatic Hannussen, and Udo Kier's brief turn as the aristocratic Helldorf, which, combined with Herzog's dreamlike imagery, give the film the feeling of a surreal fable. [More]
Starring: Jouko Ahola, Tim Roth, Udo Kier, Ana Gourari
Starring: Jouko Ahola, Tim Roth, Udo Kier, Ana Gourari, Gustav-Peter Wöhler, Max Raabe, Renate Krossner, Zesha Breitbart
Director: Werner Herzog
Director: Werner Herzog
Screenwriter: Werner Herzog, E. Max Frye
Studio: Fine Line Features
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Reviews for Invincible
After one gets the feeling that the typical Hollywood disregard for historical truth and realism is at work here, it's a matter of finding entertainment in the experiences of Zishe and the fiery presence of Hanussen.
A compelling allegory about the last days of Germany's democratic Weimar Republic.
Herzog is obviously looking for a moral to his fable, but the notion that a strong, unified showing among Germany and Eastern European Jews might have changed 20th-Century history is undermined by Ahola's inadequate performance.
It's difficult for a longtime admirer of his work to not be swept up in Invincible and overlook its drawbacks.
At the one-hour mark, Herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion.
Herzog's intentions are clearly noble, but unless you care to wait for the moments when Roth picks up the film and carries it on his back, back off.
Embellished with touches of magic realism and washed in a voluptuous quasi-Wagnernian score, Invincible, when at its best, is almost as seductive as Hanussen's games of smoke and mirrors.
The predominantly amateur cast is painful to watch, so stilted and unconvincing are the performances.
Sounding like Arnold Schwarzenegger, with a physique to match, [Ahola] has a wooden delivery and encounters a substantial arc of change that doesn't produce any real transformation.
Some elements of it really blow the big one, but other parts are decent.
A film which presses familiar Herzog tropes into the service of a limpid and conventional historical fiction, when really what we demand of the director is to be mesmerised.
Real-life strongman Ahola lacks the charisma and ability to carry the film on his admittedly broad shoulders.
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