Otomo's typically sophisticated script ensures slick pacing, combining humour, terror and pathos, particularly in the final scenes.
Metropolis (2002)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:55
Fresh:50
Rotten:5
Average Rating:7.5/10
Consensus: Even though the storyline is nothing new, Metropolis is an eye-popping visual treat.
Rated: PG-13 [See Full Rating] for violence and images of destruction
Runtime: 1 hr 49 mins
Genre: Action/Adventure
Theatrical Release:Jan 25, 2002 Limited
Box Office: $494,432
Synopsis:
Metropolis: A future society, where humans and robots co-exist. A giant city-state, atop of which rests what could be termed a symbol of the advanced civilization, the newly completed skyscraper...
Metropolis: A future society, where humans and robots co-exist. A giant city-state, atop of which rests what could be termed a symbol of the advanced civilization, the newly completed skyscraper Ziggurat, where an opening ceremony is underway…
During the middle of a florid speech by Duke Red, the prime mover and shaker of Metropolis, a disruptive party crasher is shot and killed by a young security guard, But after it turns out the gatecrasher was just a robot, the young guard goes nonchalantly on his way. Two of the bystanders at the scene watch with great interest. They are Private Detective Shunsaku Ban and his traveling companion, his young brilliant nephew, Kenichi, both of whom have just arrived in Metropolis on the trail of a case.
Their investigation leads them to a laboratory, where a fire breaks out after they break in. Escaping by the skin of his teeth, Kenichi has a fateful encounter with a girl, Tima, who is actually the robotic double of Duke Red’s deceased daughter. Tima has no idea that she is a robot, nor is she aware of the fact that she was secretly imbued with enough power to control the world.
In the midst of the madness surrounding them, the human Kenichi and the robot Tima open their hearts to each other, even as they’re stalked by a persistent killer.
Rock, the young leader of the vigilante Marduk Party and adopted child of Duke Red, has no plans to allow Tima to become Duke Red’s successor. He instead plots to remove her as an obstacle. But Tima is eventually abducted and imprisoned by her “father,” Duke Red, who reveals her robotic origin to her and his plan to place her on the seat of world power. Though she doesn’t know it yet, the fate of Metropolis and all human-robot relations lie in Tima’s hands. -- © 2001 Columbia TriStar
Director: Rintaro
Director: Rintaro
Story: Osamu Tezuka
Screenwriter: Katsuhiro Otomo
Producer: Katsuhiro Otomo, Yasuhiro Nakura, Shuichi Hirata, Yuka Imoto, Kei Kobayashi, Kouki Okada
Composer: Rin Taro, Toshiyuki Honda
Studio: Sony Pictures Entertainment
Get This Movie
Reviews for Metropolis
It smoothly blends outrageously diverse visual styles and emotional tones.
A jaw-droppingly beautiful work that upends nearly every cliché of Japanese animation while delivering a more than satisfactory amount of carnage.
The film's imagination goes sky high, showing us unbelievable buildings, surfaces, catwalks, robots, colors, underground catacombs and, yes, fish tanks.
...science-fiction fans and adventurous filmgoers will find this ingenious explosion of retro-cyberpunk a compelling dystopian vision with a gleam of hope.
A striking Japanese manga animation, derived from the original comic book variant on Fritz Lang. This is a remarkable feat of animation from Katsuhiro Otomo and Rin Taro.
Parts of it are very silly, but it is still extraordinarily powerful as cinema and its meanings grow murkier, not clearer, with what we now know of Lang's life.
With elements cribbed from Lang's Metropolis, Welles' Kane, and Eisenstein's Potemkin, the true wonder of Rintarô's Metropolis is the number of lasting images all its own.
For something as splendid-looking as this particular film, the viewer expects something special but instead gets [sci-fi] rehash.
Melds derivative elements into something that is often quite rich and exciting, and always a beauty to behold.
If you are a fan of animation you’ll want to watch it more than once.
A visionary marvel, but it’s lacking a depth in storytelling usually found in anime like this.
The movie is for fans who can't stop loving anime, and the fanatical excess built into it.
The dialogue is dubbed into English by generic actors, whose phony, emotionless rendition undermines what's on the screen.
There's so much to look at in Metropolis you hate to tear your eyes away from the images long enough to read the subtitles.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Metropolis at Rotten Tomatoes
- Metropolis at IGN
- Metropolis at AskMen
Fresh Links
Featured

Take a look at MSN's choices for the Top 10 films of 2009.

What were your favorites? Least favorites? The funniest and scariest? Moviefone wants to know!

Hollywood.com explores why QT's characters resonate so well with audiences.

TIME chimes in with their own list of the best films released this year.

Click through to see which movies BuzzSugar placed in their Best-of-Decade list!
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



