Because the performances are so powerful, one nearly forgets that in its vaulting between the '50s and '90s, Iris is a story with a beginning and end but without a middle.
Iris (2001)
Tomatometer
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Reviews Counted:108
Fresh:85
Rotten:23
Average Rating:7.1/10
Consensus: A solidly constructed drama, Iris is greatly elevated by the strength of its four lead performances.
Theatrical Release:Dec 14, 2001 Limited
Box Office: $5,372,026
Synopsis: Based on the book ELEGY FOR IRIS, by John Bayley, this biopic tells the inspiring and heartbreaking story of the writer's 40-year romance with English novelist Dame Iris Murdoch. The film cuts back... Based on the book ELEGY FOR IRIS, by John Bayley, this biopic tells the inspiring and heartbreaking story of the writer's 40-year romance with English novelist Dame Iris Murdoch. The film cuts back and forth between the young Iris and John (played by Kate Winslet and Hugh Bonneville), at the height of their romantic adventures as students at Oxford in the 1950s, and the elderly couple (played by Judi Dench and Jim Broadbent), struggling with Iris' decline, as her brilliant mind is ravaged by the effects of Alzheimer's. Judi Dench gives an outstanding performance--her transformation from a prolific genius of the written and spoken word (Murdoch wrote 26 novels), to the infantile state of losing her language facilities altogether, is truly wrenching. Jim Broadbent is equally touching as her partner for life, who has adored the passionate Iris since they met, but was never fully able to possess her until the tragic end, when he declares in grief, "I've got you now, and I don't bloody want you!" Directed by Richard Eyre, artistic director of Britain's Royal National Theater, the film is uniquely sensitive and finely acted. [More]
Starring: Judi Dench, Jim Broadbent, Kate Winslet, Hugh Bonneville
Starring: Judi Dench, Jim Broadbent, Kate Winslet, Hugh Bonneville, Penelope Wilton
Director: Richard Eyre
Director: Richard Eyre
Screenwriter: Charles Wood, Richard Eyre
Producer: Scott Rudin
Composer: James Horner
Studio: Miramax Films
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Release:
Aug 20, 2002
Reviews for Iris
In the end, the disparate personalities of the movies cede influence to the actors, who do the hard work of giving human dimension to the stories of extraordinary people.
A magnificent story about the enduring bond between two eccentric, astounding souls who somehow managed to find each other and hold on for dear life.
Those who have had a loved one fall prey to the mental ravages of Alzheimer's will see in Iris a depiction that is so lucid and accurate that it may be painful to observe.
As the story of heroic response to tragic illness, Iris is the kind of film often cynically pegged a 'disease of the week' movie. But unlike such formulaic TV productions, Iris' heroine is denied the capacity to be inspiring.
Tune out the hype for countless other movies. This is the one to see.
The performances in Iris -- by Judi Dench as the older Murdoch and Jim Broadbent as her husband, John Bayley, and by Kate Winslet as the younger Murdoch -- are so good that the film is completely compelling.
Because the film is well-acted and written with intelligence, it might be worth seeing, despite my objections.
Iris glows with rightness and convinces us we're sharing its characters' understanding that when the books and the memory go, love can remain.
Represents everything that's stale about movie-making -- and especially movie awards -- today.
The defining irony of the film is that like Dame Murdoch in the throes of her illness, Iris is lost, confused, and, perhaps most painfully, very occasionally brilliant.
What the film has to say about the devastation of this debilitating disease [Alzheimer's] is more significant than the story of Iris’s life.
Iris sounds as if it would be painful to watch, and in scenes like the one described above, it can be. Yet watching love realistically depicted onscreen remains the greatest joy of film, and its most important gift to the world.
Feels unfinished, as if its many lovely parts have not come together into a meaningful whole.
So crisply acted and smartly drawn that you barely notice the cracks in the veneer.
Iris would appeal almost exclusively to existing fans of Murdoch’s prose were it not for four truly compelling performances that meld seamlessly into one sublime whole.
Demonstrates the catastrophe of disintegration by putting us first in the full thrall of the character's intellect.
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