Beyond the native complexities of its visuals, Rain impresses with its canny narrative.
Rain (2002)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:57
Fresh:48
Rotten:9
Average Rating:7/10
Theatrical Release:Apr 26, 2002 Limited
Box Office: $283,615
Synopsis: The debut film by director Christine Jeffs, RAIN, records with charm the confusion of coming of age amidst domestic disintegration. In Far North New Zealand in 1972, Janey (Alicia... The debut film by director Christine Jeffs, RAIN, records with charm the confusion of coming of age amidst domestic disintegration. In Far North New Zealand in 1972, Janey (Alicia Fulford-Wierzbicki) has traveled to the beach for a long lazy summer with her family. As the days get longer, Janey teaches her little brother, Jim (Aaron Murphy), to swim while their Scotch-sedated parents ignore each other, wallowing in their messy marriage. From hungover days to beach party nights, they fake their way through parenting. It is late into one such night, while party music plays loudly, that Janey's mother, Kate (Sarah Peirse), lulls photographer Cady (Marton Csokas) into a swirling secret embrace. Though Janey detests the drunken dramatics, her mother's boozing and flirting symbolize the freedoms of adulthood, so Janey steals sips and smokes, and kisses the neighbor kid. But he's just a boy, and Janey's becoming a woman, so she sets her sights instead on her mother's pick, Cady. As the title suggests, the oceanic climate of New Zealand leads to dramatic changes of weather, and also reflect RAIN's mid-film change of heart. RAIN first sparkles like the bright blue sea and warm summer nights in the glow of fairy lights, then crumbles under bruised bourbon-colored skies. With a superb musical score, the Split Enz' Neil Finn band provides retro-styled melancholia indebted to the Brothers Gibb. [More]
Starring: Alicia Fulford-Wierzbicki, Aaron Murphy, Sarah Peirse, Marton Csokas
Starring: Alicia Fulford-Wierzbicki, Aaron Murphy, Sarah Peirse, Marton Csokas, Alistair Browning
Director: Christine Jeffs
Director: Christine Jeffs
Screenwriter: Christine Jeffs
Producer: Philippa Campbell
Composer: Neil Finn, Edmund McWilliams
Studio: IDP Distribution
Get This Movie
Reviews for Rain
Moody, heartbreaking, and filmed in a natural, unforced style that makes its characters seem entirely convincing even when its script is not.
[Janey] forgets about her other obligations, leading to a tragedy which is somehow guessable from the first few minutes, maybe because it echoes the by now intolerable morbidity of so many recent movies.
A gripping movie, played with performances that are all understated and touching.
Fulford-Wierzbicki turns in an astutely assured performance as the Lolita-wannabe, and director Christine Jeffs brings a poetic sensuality to the understated tensions.
Though in some ways similar to Catherine Breillat's Fat Girl, Rain is the far superior film.
A beguiling and hyper-sensitive anatomy of a hurting family who, lacking openness and trust, fail to communicate.
Jeffs has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness.
It has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing.
We get light showers of emotion a couple of times, but then -- strangely -- these wane to an inconsistent and ultimately unsatisfying drizzle.
A master work in miniature, an unsentimental yet not unsympathetic portrait of a family falling apart in slow motion.
This New Zealand coming-of-age movie isn't really about anything. When it's this rich and luscious, who cares?
[Jeff's] gorgeous, fluid compositions, underlined by Neil Finn and Edmund McWilliams's melancholy music, are charged with metaphor, but rarely easy, obvious or self-indulgent.
Some of the visual flourishes are a little too obvious, but restrained and subtle storytelling, and fine performances make this delicate coming-of-age tale a treat.
A coming-of-age tale from New Zealand whose boozy, languid air is balanced by a rich visual clarity and deeply felt performances across the board.
The dialogue is cumbersome, the simpering soundtrack and editing more so.
Two generations within one family test boundaries in this intelligent and restrained coming-of-age drama.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

Last week, MSN gave us their top 09 films. Now see what their favorites of the decade are!

Here's a list of the 50 best movies of 2009, according to the good people over at Moviefone.

Hollywood.com takes a stab at determining who in movies will be on Santa's naughty list in 2009.

TIME chimes in with their own list of the best films released this year.

Click through to see which movies BuzzSugar placed in their Best-of-Decade list!
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



