It's not a bit stagy, yet it manages to be dazzling theater.
The Cherry Orchard (2002)
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Reviews Counted:26
Fresh:14
Rotten:12
Average Rating:6.2/10
Consensus: This adaptation of The Cherry Orchard is too tedious to hold interest.
Theatrical Release:Feb 22, 2002 Limited
Synopsis: Lyubov (Charlotte Rampling) is brought home to her Russian estate after having fled to France amidst family tragedy. Returning home in 1900 after the liberation of the serfs, nothing seems to have... Lyubov (Charlotte Rampling) is brought home to her Russian estate after having fled to France amidst family tragedy. Returning home in 1900 after the liberation of the serfs, nothing seems to have changed. The mansion has been impeccably kept up and the trees in the cherry orchard are in romantic bloom. The reality, however, soon sets in: The family fortune has been squandered. Lyubov holds out for a miracle to save her home, her past, and her beloved orchard. When wealthy friend Lopakhin (Owen Teale), who grew up as a servant on the property, recommends selling and developing the orchard land in order to save the property, he is met with fierce opposition from Lyubov and the family. With the mortgage date drawing nearer, Lyubov's hopes become as empty as the leafless wintry appearance of the trees in the orchard. The emotional intensity builds to a heartbreaking climax in Michael Cacoyannis' screen adaptation of Anton Chekhov's timeless play. Cacoyannis, in his seventies, directed and wrote the script from his own translation of the Russian masterwork. He is ably assisted by a superb international cast, including Katrin Cartlidge, Alan Bates, and Michael Gough. [More]
Starring: Charlotte Rampling, Owen Teale, Katrin Cartlidge, Alan Bates
Starring: Charlotte Rampling, Owen Teale, Katrin Cartlidge, Alan Bates, Melanie Lynskey, Tushka Bergen, Xander Berkeley, Ian McNeice, Gerard Butler, Michael Gough, Frances De La Tour, Andrew Howard, Sarah Stavrou
Director: Michael Cacoyannis
Director: Michael Cacoyannis
Screenwriter: Michael Cacoyannis
Story: Anton Chekhov
Producer: Michael Cacoyannis
Composer: Peter Ilyich Tchaikovsky
Studio: Kino International
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Reviews for The Cherry Orchard
Allegiance to Chekhov, which director Michael Cacoyannis displays with somber earnestness in the new adaptation of The Cherry Orchard, is a particularly vexing handicap.
While Cacoyannis' film may not be totally faithful to the master's pen, for literature students and theater lovers, this Cherry Orchard is a rare treat.
Scrupulously acted (in English), visually perfected and skillfully complemented with Tchaikovsky piano music.
This story tutors us in the practices of kindness and compassion for those caught up in the trauma of change and loss.
Cacoyannis' vision is far less mature, interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts.
Cherry Orchard is badly edited, often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a 'back story.'
The irony is that this film's cast is uniformly superb; their performances could have -- should have -- been allowed to stand on their own.
Drags along in a dazed and enervated, drenched-in-the- past numbness.
The new film of Anton Chekhov's The Cherry Orchard puts the 'ick' in 'classic.'
One of the film's most effective aspects is its Tchaikovsky soundtrack of neurasthenic regret.
The film spars with a light touch and heavy heart among character, social friction and class contradictions.
In capturing the understated comedic agony of an ever-ruminating, genteel yet decadent aristocracy that can no longer pay its bills, the film could just as well be addressing the turn of the 20th century into the 21st.
Cacoyannis is perhaps too effective in creating an atmosphere of dust-caked stagnation and labored gentility.
Any Chekhov is better than no Chekhov, but it would be a shame if this was your introduction to one of the greatest plays of the last 100 years.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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